An Inspired Eye: 10 tips for encouraging Street Photography

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Have some still moments in a life full of motions. Whatever you do, do for soul feeding. You don’t make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved. Instinct and the ability to anticipate are skills that a street photographer acquires with experience, and a lot of practice. The more you walk through streets with your camera, the more you will be able to tune with the world around you. As a street photographer you are constantly scanning your surroundings. No expression or gesture can escape from you, the challenge is to record that story in your frame.

10 tips for encouraging Street Photography

# How to Frame the fleeting moment

 You are going to get the best light in a certain moments of the day. You will be finding an interesting element to shoot once in a while. Mood of the people changes very fast, so as their expressions. The environment of a whole scenario can change in a few seconds. The action, reaction, speed, mood, light, energy. color every single detail is moving with time, and you need to capture in a fleeting moment. Freeze the moment before you miss it, you need to active in the street like a pro. You need to be very fast to frame what you want to capture. It can be anything but anyone can read your creativity once they see how you frame elements of a picture. Street Photography is all about capturing fleeting moments, moments of tension, happiness, anxiety, relaxation, fun, and any moments which have a meaning to you. The framing of any moment depends on how you are connecting different elements into one photograph. If those elements compliment the atmosphere of your street photo then it will create magic.

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# Easy to feel, hard to express the feeling

Emotions are easy to feel. And easier to see. But it is not easy to forward or make someone feel the way you are feeling. Expressing the emotion of your subject to your viewers is a challenge. Try to be simple with your presentation. If the image is about drama, make it dramatic, if it is fun, bring the funniest thing, and if it is motion create the action. Do not overdo it.

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# Stay curious, Stay thirsty

You need to have an urge to know the place you are shooting. If the place does not create an interest on you, do not waste your time there. Without curiosity no good work can be produced. The feeling of ‘I know this place’, ‘I know what is going to happen’; these thought can never bring any newness in your photograph. Instead feed yourself with this kind of thought ‘This can be very interesting’, ‘I need to go to close’. You need to be curious to experiment with your art, you have to be curious to see things from the detail, with different angels, by creating different framing. Always take horizontal and vertical both shots. Your energy will reflect on your photograph. The intensity of your work defines how critically you have worked, how deeply you look through your viewfinder.

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 # Break the stereotype, there is no rule or role model

You already stored hundreds of image ideas on your mind. As soon as you start taking photograph unintentionally you may want to get the kind of shot you already put inside your head. When you become obsessed to get a certain kind of photographs you are blocking your vision, you stop seeing what you are able to see. It is important to check other photographers work. It can be interesting to get a few shots naturally that many of the photographers had done similarly but this is very important to have your own visuals. It is important to visualize images but to do that successfully you have to free your mind. There is no rule or role model. Release the tension; do not blur your vision of imagination. Challenge yourself at least once in a month to take a shot you never tried before. Get out of that   frame of mind of trying to make someone else happy.  Be wise enough to take challenge, you can fail, it can be hilarious but if you never tried something new how you will know what you love most.

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# Pay attention to patterns, actions and the detail

Pay attention to pattern. Play with light and shadow. Try to capture detail. Make the image interesting. It can be anything. Street Photography is an everyday process of learning. The more you the more you understand your kind of style. No one can take similar picture of one scene at a time. An image is not about what a photographer is seeing but how the photographer is seeing. And adding some patterns, actions and detail will create uniqueness in your image.

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 # know your camera and how it works, be technically sound

There is no specific camera for street photography, and gear alone will not make your street photography better. Do not stop because you only have a compact or a DSLR or smartphone. Pick up the camera you have and make a step in the right direction and start practicing. We need a camera to take photos and certain lenses for our own style. But beside camera also buy photography books and participate in photography workshop. If you do not have any technical knowledge of photography you will continue to do the same mistake without improving anything. It will go to vein if you invest everything for only gears not for knowledge. Do not become obsessed with gears. Keep one camera, one lens specifically. Take some time during every week to practice adjusting your camera controls, focusing distance and exposures. Be bold, and give yourself your first assignment on the street: discover the world right outside your front door.

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 # The art of seeing the unseen

 When you will master the art of seeing, you will start to see things from your inner light. Street Photography is an art of observation. It is all about have the right of amount patience with energy to enjoy. It’s a representation of how you see things. Every moment has something beautiful, some amazing things that are happening all around you, you just need to open your heart to see that with your eyes. Try to capture what you feel not just what you see.

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# How to overcome the fear, hesitation and confusion

Be curious. Travel to unknown and greet to strangers. Have some chat about the place and people. Only start to shoot when you can relate with the people and the place. Find your spirit, your true purpose! If you can really change your mindset then you will be able to change your life. Remember, true learning doesn’t happen in your home. Travel and travel a lot. Do not hesitate to go to an unknown alley. No one can be lost, every road has a destination. And if the road ends you can always come back. Shoot from distance and from close. Always remember, if you believe on yourself the world will believe on you.

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# Photography vs income

Have you stopped listening to your favourite music because it is not bringing money to you? Have you stopped reading your favorite story books just because it is not bringing anything in your pocket? Have you resisted yourself to travel all your desired places only because there is no economic return? If not, then do not put your camera aside; do not stop taking images by thinking about money/ awards/ rewards or considering Photography as a tough career. What about pleasing your soul, embracing a creative you, seeing an unknown world, discovering a new you! Aren’t these beyond monetary worthy? Be a priceless photographer who is serving for own

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# Make mistakes

I hope you make mistakes. Because if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world. You’re doing things you’ve never done before, and more importantly, you’re doing something. So that’s my wish for you, and all of us, and my wish for myself. Make New Mistakes. Make glorious, amazing mistakes. Don’t freeze, don’t stop, don’t worry that it isn’t good enough. If you fail, pick yourself up, dusk off, learn and grow. This is how you can become great at anything by making mistakes.

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Struggling to get good street photographs? Stay patient and trust your journey. What’s meant to be, will happen. You don’t need to find out meaning of everything. Trust your dream that is going to take you where you belong. In this journey you need to stand by your side, you need to be your best friend but also you need to be your best critic. Because it needs a lot of courage to dig into yourself and see what need to improve about you, to see what still have to achieve! Everyone can accept your flaws except you. You have to become a best version of yourself and work on yourself every day, every hour, every moment.

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Upcoming Street Photography workshop with GMB Akash:

‘Street Life’ – A Street Photography Workshop with GMB Akash

Dates: 28th July (Friday) and 29th July (Saturday) 2017

Place: First Light Campus, Dhaka, Bangladesh

To apply email to akashimages@gmail or to make any queries call 01989052484. For detail visit: Street Photography with GMB Akash

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Calling you to discover mesmerizing aspects of Street Photography. By having this experience you will master the art of seeing; you will start to see things from your inner light. You will be taught how being a photographer requires much more than just looking through the view finder and pressing your finger on a cold metal button. How a photographer needs to have psychological connectivity in every encounter of the journey. The fear, hesitation, lack of confidence will be replaced by empathy, assurance and vision. This two days is not just for discovering a photographer inside of you, it is going to unfold what you have already within you. Let’s come and experience of having some magical moments of walking in the streets of street photography.

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‘An Invasive Mind: More on Street Photography’

‘Traveling to an unknown city, to an anonymous alley is always fascinating to me; mostly in order to stare at how life goes on! Stepping into a nameless street and sipping a cup of chai in its old bazaar is like a reunion of moments that are treasured in my memory tag! Street photography has unveiled secrets of eccentric daily life and it has always unfolded mystery that my heart aspires for all the time. My camera is my best friend and spending hours and hours along with it in those streets is so addictive that I am compelled to say that the best part of street photography is – you will never ever feel bored’ – GMB Akash

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Where to go?

Anywhere! Here and there or everywhere. Known or unknown. Seen or unseen. Do not calculate which place is convenient and which is not. Be very casual. Start your journey and discover things that you never thought would fascinate you. Keep one thing in mind: every street trip that you will make will be a unique one if only you can merge yourself within the flow of the street.

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How to overcome fear in the street?

It is very obvious that you will be very uncomfortable at the beginning. But after some time you will be okay with it. But of course you have to overcome your fear. You have to overcome the feeling that everyone is noticing you and you might have to face several rejections. Stay focused, accept rejections, enjoy walking and be very confident!

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One gesture to win hearts:

Please smile. Smiling is a kind gesture. It allows you to alleviate nervousness and it makes a connection with your subject. Whenever you are going to take a shot of any person, nod and smile.

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Communicate appropriately:

During street photography don’t talk too much but do talk a little bit. Small words, hello, can I take a picture, wow, great, fine, thanks small words. If you are going to make a long conversation, it happen often that some people might hesitate about your aim. In case you feel a longer conversation could bring out images then do it.

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Handle yourself wisely

Be very confident in the street. Act like a professional. Feel like you have been doing it for many years. When you will be confident then the people around you will feel confident about you. Finally you will face less rejection.

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Introducing yourself to strangers:

You will meet three kinds of people in the street:

a) Persons who are very welcoming about taking images.  You will definitely explore this opportunity more. While meeting them you can feel it easily so it will be very comfortable for you to take images with time and to experiment.

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b) There are some people who hesitant. They will not refuse you or say no to you directly but you can feel a discomfort. Then it is your responsibility to make them comfortable. Greet them, talk about the weather or simple things about yourself and you will discover after few minutes they will be more at ease.

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c) Go away faces. They are very challenging and you have to respect your subject. If they do not approve of taking their pictures you have to respect that without feeling bad. The most you can do tis o make them understand that their images are fully secured and you are an aspiring photographer. Talk to them about your passion and dreams. Even after that if they say NO, just accept it. We cannot force someone to do anything!

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Take a companion:

If you feel very uncertain and discomfort about shooting even after trying hard then ask a friend to accompany you for a few days. Sometimes company can make your street trips easier.

Daily life in Kathmandu, Nepal. 2006

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Never Hesitate:

In street photography there is not much time to waste. You cannot spend a lot of time just for one shot. It is full of capturing decisive moments for capturing. If you get an excellent shot for a moment, do not get time to ask permission. Just click, then you can talk afterward and explain it. If you hesitate the person in front of your camera will hesitate. Never hesitate.

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Learn to understand people and situation:

A great attribute of any kind of photographer is when he/she can understand people. After being experienced in the street you can feel that you actually can understand what a stranger is feeling about you. Slowly you will understand people and their minds. It will help you to deal with any kind of situation in the street.

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I have already shared a few experiences of mine and some advice in the Street Photography Category of this blog. Have a tour if you want to know more about the topic.

Instructor:

I teach street photography for The Compelling Image: The Compelling Image: Online-Interactive Courses in Photography and Multimedia Storytelling

If you are interested in joining my street photography course sign in: Street Photography

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‘Voyage to Varanasi’

I left everything behind. The unbearable noise of some angry young men, the screams of an unknown crowd as well the very loud train station fans and their monotonous melody, all were behind me! I was running at such speed that if my friend didn’t hold on to  my bag tightly while pulling it, I might have fallen on the floor along with the porter who was magically carrying six-seven bags! However we safely arrived at the train departure platform. Once again I promised myself never to photograph just before a journey as every time I forget the schedule and have to rush like I did that day.

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Between hundreds of trains I was searching my Vibhuti Express. The destination is Varanasi. I pushed my head forward and suddenly some small fingers held my hand. We were both scared! The small child mistakenly holds my hand. We laughed together! We all were searching the desired Vibhuti Express. I felt a great thirst to take picture in this super busy station with its very very interesting compositions that were calling me. But then reaching the Vibhuti Express was more important than any composition. It is a known truth that when you are anticipating something with all your heart it will never come easy! The train is three hours late!

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My friend closed his eyes and was resting a bit. I was resting my eyes by watching people. To see people up close and from a distance is my old habit/hobby. I was praying that the train might arrive earlier so that I could explore Varanasi in the early morning. I was afraid that I was going to lose the morning light. In front of me everyone was rushing recklessly. They were scared to miss….scared to lose…scared not to reach. But finally when they were seated in the train, they were all looking behind again and again. All of us love to go ahead, but we also feel happy to see behind us. To know how far we have come! The nagging old man sitting beside me laughed for the first time; yes, the much desired ‘Vibhuti Express’ finally arrived!

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We departed the station at 8 P.M and were supposed to reach Varanasi by next morning 8:00 A.M. But the excessively slow train took 22 hours and we reached our destination at 6:00 P.M in the next evening. I knew I had lost the light but still there was some hope to catch a bit of it. I jumped out as soon as the train stopped. But there is something called luck and it had decided that I am going to have a slow day. The puller of the rickshaw that we took was driving round and round, and just as slow as our train had been. It took 45 minutes to reach a distance that normally takes 15 minutes. I was so sad when I opened my hotel room’s door. I went directly to the window and after opening it I slowly whispered, ‘I can wait my entire lifetime to take images of such colour, such an old place, with such mystery that no words can properly describe it!’

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Next to my window four eyes were curiously looking at me. A monkey couple was wondering about me so as I was of them. They were hand in hand. I smiled and try to offer friendship but they were confused and then they were holding hands even tighter. The night was falling and I was writing beside the window. Suddenly I saw the couple looking at me through the window glass, so close that I could touch them. Our friendship was established. Before I went to bed it started raining. While closing the window I saw, under magical light that the monkey couple were sleeping while embracing each other! I stood for some moments. The world’s most fortunate people are those who get their loved one by their side. And the most unfortunate are those who never get the chance to feel the warmth of love!

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I wake up at 3 A.M and I was in the Galis and the Ghats of Varanasi by 4 A.M. There I was – in Varanasi, the place that magnetically attracts me all the time. I started taking images enthusiastically. Varanasi – the land where experience and discovery reach the ultimate bliss. This is the most blindingly colourful, unrelentingly chaotic and magnificently compelling places on earth.

 

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I felt brilliantly alive there. Its sights, sounds, and colors brought me immediately into a different place; absorbing me into its endlessly fascinating spectacle of ritual activity. It is situated along the west bank of the holy Ganga River in the state of Uttar Pradesh in India. It is considered as the holiest place amongst the Hindus. It always seems a magical place to me. The spiritual Ghats (steps down into the river) and the alluring Galis (a maze of narrow alleyways) are my main enticements.

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Because of the rainy season the stairs of Ghats were under water. Ghat’s are the series of steps leading down to a holy river. In Varanasi, you will find around 100 Ghats. Each of the Ghats has different name, history and importance. It is quite interesting to walk along the Ghats especially in winter. But during this visit I spend time discovering Galis. Extremely narrow; the play of lights and shadows inside a Gali is very interesting. But I was very alert while I was entering inside unknown Galis and I suggest not going alone.

 

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Since Varanasi is one of the holiest destinations for Hindus, it is very common to find various rituals going on throughout the year in this place. But my fascination was the people and their portraits. Streets of Varanasi are full of many enticing stories. I shot the whole day. Still I did not find enough time to click at as many subjects as I wanted to.

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On the last day of my visit it was raining in the morning. I went out in the rain by just covering my camera with plastic and my head with a handkerchief. I was going to leave this city which is considered to be over 3,000 years old. The majestic light was shining behind the clouds. I saw astonishingly how gracefully the morning light removes all the dirt from the sky. While watching this I wished all the sorrows and suffering of the world would end like this with the light of humanity! To be able to discover such light I could  come back here a thousand times and I would not mind another 22 hour voyage to return to magnetic Varanasi!

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‘Mystic domination of Pashupati’

The place is very well-known to me. But still this very familiar place is like mystery in many ways. I have been here for fifty times and my camera took every memory from each time of my visit. Apart it to me it is one of the most mysterious or the simplest destination that I was heading for 51 visits. At the side viewer of my taxi I saw buses full of Indian community queuing behind us. Telling numerically every day how many people come to visit this place is impossible.   I have reached to my destination, ‘Pashupati Temple, Nepal’. In one glance the place seems like it has taken a shower with morning glow. The magmatic light may never visible to me like this before. The flavor of the magnetic aroma by the near shop and flowers waiting in shops are always welcome signs for tourists.

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I do not like an easy way. I love to be lost. So, I did not enter the temple premise. I went inside a ‘Dhramashala’ nearby. In the yard of the ‘Dharmashala’ a lot of families made their spaces for themselves under the open air. They are tribal Indian who visits Pashupati once a year. All married women of all ages wearing anklet and a ring in the middle toe in dark toned feet. In the time of taking picture of a woman she burnt her roti that was in the pan. Her hungry child grabbed it fast before other four could take it. They do not understand Hindi, Nepali or English. Their children’s yelling and their tired faces described well from how far they come. I let them struggled with their rotis and leave for my next place.

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By taking pictures as like other times I entered to Pasupati with another way. In front of me the giant and impossible ‘Pashupati’. Hearing the rhythmic chanting and sounds of temple rings I kept walking inside. Before I normally could inhale the smoke and tart air a group of people suddenly bumped into the place by saying ‘Hari’ ‘Hari’. They are carrying dead body and going to the river side.  I started following them magnetically. Echo of some crying women made the atmosphere heavier, moneys those were throwing papers on people stopped for a while. A woman fainted when she went to give water to her dead mother. The dead body has been placed there ritually. Three dead bodies were preparing for their eternal ritual. Having mental balance to take photograph in such moment is tough. Having consolation for the family at the same taking picture is a toughest moment. In the time of great grief nobody bother about me or my camera. I started taking picture like an invisible person. No one look at me or ask to leave. I continue to capture moments of farewell.

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When I no more can bear the pains of people who kept crying in an unknown language I leave the place. I only notice those naughty monkeys when one of them tried to take my cap. They were following me all my way. After walking a while I meet my known priests. They are always same in the all years round. Their posture, ornaments and clothes remained same. The Hanuman with his mobile phone inside his box or the naked Shadhu all are always there in their right place. One of them loudly said with a smile ‘Bangladeshi Akash, Kaise Hau?’ During taking their pictures smell of different fragrant were coming along. I moved by  following it. I kept discovering Pashipati. Pashu means leaving beings, and Pati means master.  In other words Pashupati is the master of all living beings of the universe.

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I went directly to the hindu cremation ghat of pasupati. The same old fragrance welcomed me. Flames from fire, smoke and ashes were all around. Relatives of dead bodies were seating inside and outside in the premise. A dead body was ready for the final ritual. After putting all woods sequentially the son of the dead person set fire. Relatives were holding holy copies and kept chanting.

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Opposite of me I saw many photographers and people were seating in the staircases. The sound of spiting fire and woods kept haunting me. Ashes were all over my body. After two to three hours ashes only remained.

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When the place was preparing for another burial I saw a lot of young children below in the river collecting dead woods that threw in the river side. They are from outside Kathmandu Valley and living near the Pashupati Arya Ghat area regularly collect half burnt wood thrown to the Bagmati river after cremation, to sell to the brick factories located near Kathmandu. Before one of the Dhakal ask me not to take picture any more I Closed my camera.

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The sun was going away may be with all remaining souls. In the temple a religious music was playing. In this holy place in between of all this loses some people keep searching lives. Life and death is so close to this place maybe that’s why very very special – ‘Pashupati’.

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*** Pashupati area is regarded as one of the most important places of pilgrimages for the followeres of Hinduism.  Thousands of devotees from within and outside the country come to pay homage to Pashupatinath every day. Pashupati area is also included in the list of world cultural heritage.

‘An Unrest Soul : On Street Photography’

‘It was midnight, a night about 12 years ago. Year was 2002. It was six years after that I started photography. Without photography nothing was precious to me. I used to save each and every penny of mine to travel and to do photography from 1996. It was a mysterious, tiring night and I did not know what exactly happened to me. I was restless and I decided to destroy my past. I wanted to start a new start with my photography. I could not like my work anymore. I set fire in all negatives that hold images of mine. I destroy each and every image that I had. Maa run as mad and stood still at my window but did not say a word. She knows I love photography more than my life and when it was burning in front of my mother she was looking at me with deep sympathy. I ignored everything. Wept silently. I felt alone and I know this will be the beginning to search a new me. 18 years I am trying to depict images that I see through my soul with the same thirst that one day I could fulfill my inner emptiness’

– GMB Akash

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The place I like that I love to go very often. There are places where I went more than 100 times. Every time every place is different than my last visit. I would love to discover stories of my frames. Time changes face of place, people and in fact me. The same place that has been visited thousand times gift exclusive images with different layers.

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I can smell photograph. During walking in a street suddenly a place attract me magnetically. I can smell the right place and can smell my future photograph. I wait until I get the picture I want, the waiting makes it more interesting, my attempts make me more excellent. I wait hours and hours with happiness but no boredom. Because I am sure I will get something every very special. Even I spend one day in one place just to get one shot that will remain precious to me for lifetime.

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I am a nutty traveler. I never hide myself during I am photographing or traveling. I interact with the community whom I go to visit. I give them time to understand me and I take time to understand them. In any place you will find children and dogs first to welcome you. They will follow you and you have to win their hearts. If they accept you then the community will accept you. Documentary/travel/street whatever photography I am doing I always know I have to respect people and their thought. If someone refused me take picture I accept it with respect. I take photography when I feel the person is easy with me and in the time when I got an affirmative signal. After taking picture I show them and heard their comment. Sometime I take print with me to show them, surprise them. Small interactions make you confident as a communicator and a photographer. It is important to be trustable when you are a photographer. A small thanks and a big smile can win many hearts.

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I want to extend my territory as photographer. Roads are like my homes. Sometime people call me ‘Specialized tourist’, sometime ‘Documentary photographer’, sometime ‘Travel photographer’. This photographer me is nobody just a medium to bridge with the people I meet. I create bridge with people’s feelings, with their joys with their sorrows. I merge with their cries, laughs. I walk in the street and collect untold stories of people. Every place has different color, smell, sound. That attraction takes me again again. I am nobody of that place but I feel I left a part of me there with the people I photographed.

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‘I keep searching myself over and over again in all cities, footpaths and in streets, from country to countries. People forget about me, my face and my camera. As because I am not any part of their life. But I never can forget a single person I met in the road. I keep their pictures in my mind in my memory card. And I wish one day or one night again I will meet with any of them and will say how I kept their memories in my heart’ – GMB Akash

To Join in my upcoming street photography workshop in March 2014 please sign in at:

Making Photo Essays of the Street’ With David Bathgate and GMB Akash’

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‘An Unflinching Eye : Introducing Street Photography’

‘Sometime a crow visits my balcony and its harsh calling wakes me up. Those mornings often turned me down. In such meaningless morning I just pack my bag, give myself a break and walk out in a nameless street. My endless journey welcomes me ahead and I picked memories one by another from my unknown destination. Capturing a definition of an indefinite street is street photography to me’- GMB Akash

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Stop being bookish, follow your own theory’

‘Make yourself comfortable’ or ‘feel being at home’ these advices are too bookish to me. In practical, my heartbeat goes up and my knees shake a bit when I stand in a place that I want to express just accurately the way I am encountering. When a cat suddenly popped up with an old woman and their astonishing-frightened-funny stunt gives me a command in my head ‘click-click-click’. ‘But what I shoot!’ I missed a second and that took out all. Yes, this is the biggest challenge that street photography offers you. You have to seize the moment before your cerebrum read it. So the question is, ‘are you afraid being in street’? I believe when a person become photographer he/she leave ‘afraid/anxiety’ behind. I rather call it hesitation/nervousness and insecurity. When you jump into the street by carrying your camera you already killed your 50% fear.  Now it is your nervousness that holds you back and just after clicking your first shot you are ready to rock in the road.

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‘A photographer next door image’ or ‘an invisible photographer image’?

In the middle of a big crowd, surrounded by so many people different than me sometime I become unusual. And when people started noticing me by raising their eye brows then my big smile helps me out being abnormal. Yes, as a photographer it is very important that you have a familiar face with a universal smile at least an ability that tells people you are reliable. When you learn to merge in the ground then surprisingly you will see that you learn the method of being there but unseen by people. It depends on you either you want to earn a ‘photographer next door image’ or an  ‘invisible photographer image’, pick one that serve your intention and that helps you to shot well.

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Get the hint

The street that I often visit is not only familiar by me but I am also familiar by it. A common place I visit has a triangle turn where then comes the street corner; there I usually followed by one or two street dogs. In the beginning it was not the same. In the very first day they suspect me and even after touching them they suspiciously moves with me whole day. Now when I appear in the street they wave their tail and follow me obediently. Inhabitants know well that I am no longer a stranger. So whenever you are new to a place make a relation, get a hint or balance yourself repeating something people can understand that photography is your passion not any venture. When you are totally in a new place and you might never get another chance to be there even then try to find a mutual intimation. Trust me your understanding and relation will show in the picture you will take.

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Enjoy discovering yourself

Every street is different, people belong to the street is different, smell is different, color, texture, light all are different. Indifferent is you and your camera. Discover a different you in every different street is your voyage. The biggest challenge is to discover the unique thread by this common with your third eye. For me the photograph is only a wow – when I take a picture of the street and after showing it to the curious inhabitant they express, ‘when it happened? Does it really look alike?!’ when people laugh, shout, surprise and question then I get the picture is happy to be about. It’s a treat for yourself when seating at your lab you suddenly bumped in a folder where you found the expression of a European shopkeeper is the same with an Asia shopkeeper just difference is in place and circumstance. Discovering this similarity is way more interesting than finding differences. Enjoy discovering yourself in everything that is the wow factor will keep you motivated in long run.

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Inspiring trigger

Try to answer yourself why you are fascinated about street photography. What will it bring to you? Why are you passionate to be in street? Are you stopped yourself because there is no fame or name after continuing do it! Find your inspiring trigger and forget about expectation. Keep yourself motivated, ignore critiques. Find an inspiring space which appreciates that what you are doing. It can be a friend circle; it can be your blog or your website or just your facebook. It is very important to be inspired to continue your work that you are doing.

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What actually Street Photography gives you?

–          Street Photography helps to be a good photographer. Street photography has a trial and error method that helps you to enrich yourself as a photographer though whatever your field is.

–          It brings you the utmost courage to go to that much close to the people that someone allows to welcome a stranger. Its helps you to mix with unknown people and to know about their attitude towards you

–          It bounds you to take challenge. Finding a way of a maples road is aspiration of street photography.

–          It will help you professionally to gain new concept, unconventional idea and will help to create your masterpiece.

–          People said in street photography 99% are wasted. I said street photography teaches you photography 99% and rest 1% you have to gain.

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In Patan Darbar squre the woman is feeding pigeons

How to do good out in the street?

–          What you are carrying who cares, carry that much you can effort, just remember you have to walk a lot and you cannot annoy people by your baggage.

–          Street photography helps to stay focused but you have to make the connection. Smile a lot and try to make fun with people you are meeting.

–          Make street photography one of your favorite time pass. Discovering new things everyday is like surfing in a new you.

–          Street photography is like swimming. I am not kidding! When you learn to swim (photographing) you will desire to go deeper.

–          Learn to handle yourself in the street. It is you and your personality that will help people to look at your camera naturally.

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–          Until you are not enjoying your walk your camera or your mind will not take your demand.

–          Take a company or a friend with you at the beginning to break the ice. Shooting alone is way too enjoyable when you know how to treat yourself best in a lone journey. Do not go out with more than three friends then shooting will be secondary.

–          Keep wakening your third eye

–          Look at things in the streets like you are watching a movie. Find the characters, drama, action, humor and romance.

–          Carry the camera that follows your command. Do not juggle with new equipments in the street without run it previously.

Daily life in Kathmandu, Nepal. 2006street_akash (20)

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In the journey of photograph limitless experiences remain uncounted. Bad news won’t keep navigators from the open seas. The street photographer who loves the work he/she is doing will never stop. The courage of such ONE gives birth of His/her kind of street photography.

Instructor :

I teach street photography in The compelling Image: The Compelling Image: Online-Interactive Courses in Photography and Multimedia Storytelling

If you are interested to join in my street photography course sign in: Street Photography

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Embark on the Journey

“The moment I wake up, right away, I smile…. I am aware that a life is offering me twenty-four brand new hours to live, and that’s the most precious of gifts I received, while living every second of my life for a new day, for a new hope, for a new destination. I am traveler, won’t mind to be called gypsy. Hanging my bag, holding my camera, eying over everything, I keep walking. I discover a part of me in my journey. I mostly save each penny comes from my work for traveling. Simplicity is my luxury. Visiting my maples world is pretty sweating but I don’t mind to wait. Travel brings power and love back into our life. Sometimes we plan a trip to one place, but something takes us to another. Whatever purifies it is the correct road. Thus I stepped to Istanbul with an open eye in road to be lost” 

– GMB Akash

Muslims are praying inside Mosques of Istanbul, Turkey.

Women are resting beside ferry station.

Muslims are gathering in and outside of mosque during prayer time.

There are a handful of cities around the world that draw me back again and again. In my list Istanbul was a most desirable place to visit. I got my chance and landed for a quick tour. In Istanbul It is difficult to be in quiet places in a city of 13 million, which was best for me. I was attracted to the city for its rich history—it was the capital of three empires and it’s the only major city in the world that straddles two continents. Navigating Istanbul can be difficult for tourists. There are so many forms of transportation—trams, trolleys, ferries, taxis, metro—and so many ways to get to a place.

A muslim man is preparing himself for his prayer

Three friend are passing time near ferry station.

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As a travel photographer I love all options. While I keep clicking my camera, a short, wiry Turk goes past, carrying a dozen folded carpets balanced on his head. The weight of the load seems to be greater than that of the carrier. Women wearing veil, only showing their eyes, gold bangles and chains reminding women of my Old Dhaka’s. Several groups of photographer’s rooming around like me with cameras on shoulders and heads almost mechanically swiveling from side to side in an endeavor to miss nothing. The famous Blue Mosque was just near my hotel, I was stunned by seeing one of the most famous and most stunning Mosques in the world.  Istanbul is a city for those who can still enjoy a sense of providence: a sense of discovery and a sense of marvel.  

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A person is walking through street and going to the destination

Continually after walking almost ten hours it was not tiring to me. As a travel photographer one must quality is to be brave. Brave to face anything and everything on the journey. I travel alone and learn to enjoy entertaining myself. It is quite fun to explore a strange place and don’t get bored in loneliness. I love to watch people, introduce with new rituals and knowing different form of life. I keep images of memory in my travel folder. Photographs are not only holding my memories, but emotions and my interpretation of an untold journey.

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Inside a local restaurant of Istanbul

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A woman is stepping towards stairs of mosque

Wherever I go, I keep trying to match my country with the place I am visiting. Often I started missing my country. In Istanbul I was finding my bond, hearing Azaan in mosques was weaving images of my place, my Dhaka. There is an universal language in the world, the language of love. We human being are always try to name our emotion, level our feelings so as I keep trying to write in my dairy. My days ended so quickly, with my mixed emotions I was leaving the city, Istanbul. I headed to catch another flight for another place with the imaginary in my mind ‘Splendid Istanbul’

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Muslims are gathering in and outside of mosque during prayer time.

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“I am not only burning myself in these journeys, I am shaping my molecules, the discovery nor ended up here, either do I go home. I will pack my bag by holding my camera, & another mystic road will open its arm for me, and I very well known, miracles dwell in invisible. I – a lost soul will walk step by step, hearing entire in silence. When I keep learning the art to fly, I keep discovering till my universe dissolves”

– GMB Akash

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A person is walking through street and going to the destination

Life Indulges In Colour

I usually take a picture of a person and then afwerward when I close my eyes for recalling what I have taken – the first thing that hits my mind is – Colour. After observing a person if we try to recall, then unconsciously colours comes first in our mind. The texture of the skin, colour of hair, colours of cloths and over all colour gives us an impression about the mood of the sight. Colour is a strong element to illustrate a person’s traits. I believe every person cover a mood of colour.

From beginning of my career I am working for those people who are living in the edge of the society.While I started working with these people I surprisingly discover – life has taken all colours from them but still they are cherishing every moment of their life with colour. Colour is their courage; colour creates enthusiasm on them to fight to live for another day. Person, who has nothing, has colour in life. In beginning of my career I took all black & white photographs of those who are colourful.  I found out poverty, sorrows and depressions become vivid if I skip colour from their life.

To present – ‘the present’ I start working on colour. A street child, laborer of a road or even a homeless lady all of them has colour. People who are fighting everyday to live life are heroes to me and these heroes represent colour. Their skin tone, dresses, living places all are colourful and powerful. They are deprived from all happiness of life but yet they treating themselves with colour. While I discover the truth I learned to capture the mood of colour on them.

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   “…I realize I have no power to deny the colour of these colourful people who are straggling in a colourless, hopeless world, nevertheless they live and smile. So I can not ignore the yellow balloon of a homeless child or even a red bowl of a beggar of the street. This inspiration inspires me to work with colour. Ans I continued my journey in the path of a colourless world to meet with all these colourful souls…”- Gmb Akash

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cernival in cologne, germany. february 2007

Colour arouses my work for getting the depth of the sight. I got colour in different mood in the different part of the world. But I discover people who are fighting endlessly for surviving are more colourful than any part of the world. Because of this colour is more challenging to me. I take this challenge to explore the unrevealed spirit through every capture of mine.

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I have a special affection for red. I like to take picture in the early morning and late afternoon. Unpredictably red comes to my way often. People who are living in lower rang affectionate about the colour – Red. It is important to take a red shoot carefully. Contrast might made the capture disturbing, while too much red can destroy the attention for the subject. A good composition and balancing of colour can create an outstanding shot. Apart of all it is important to discover the right mood of colour in the right temperament of an individual.

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I go to country to country to explore colour differently. I have found out different colour in different cast. You will find people of power through colour. Your experiences & observations with colour will help you to reveal certain attribute of a community through colour.

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   –    I prefer to use natural light which allows me to capture the originality of the moment of colour.

   –   I try to find out a natural background which suits the subject’s colour instinctively perhaps my entire colour photos are – found situation. So I believe to observe more & more while traveling frequently.

  – Working with a single colour allows me to appreciate more intricate details within the       subject itself.

  –  I travel to discover for getting the unexpected shot yet carrying the note in mind that I am searching thing which I have seen several times but never been noticed. Searching without clue for a known thing helps me to get a good colour shot.

–    I only pick colour which has meaning to the subject.

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“While I am taking photos of these colourful souls I am learning to live in colour. By capturing these colour moments I have learned – few hints of red, blue & yellow has inspirations in our life. People who are fighting without anything in this world are healing their pains by indulging in colour”

– Gmb Akash

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