A Torn Dictionary, a Second-Hand Camera, and a Thousand Untold Stories!


From the very beginning of my journey, I was captivated by the images of Salgado, James Nachtwey, Reza Deghati, Alex Webb, David Alan Harvey, Cartier-Bresson — masters who told human stories with truth and soul.

Many of them used Leica. But for me, it was never just about the camera. It was about what they saw — the dignity, the depth, the human connection. Leica became a symbol of that kind of storytelling. Quietly, I dreamed of holding one someday.

But my beginning was far from any dream.

I started with a used Yashica FX-3 — my father’s old family camera. I didn’t even know photography could be a profession. No mentor. No internet. No books. Just an English manual — and I barely understood the language.

When I couldn’t afford a translator, I bought a torn, second-hand dictionary and taught myself both English and photography. Word by word. Frame by frame. With only hunger, heart, and hope.

I had one 50mm lens. Later, I borrowed gear from anyone who trusted me.

I gave tuition to buy film. Skipped meals to save for processing.

I shot weddings and fashion — not because I loved it, but to fund the work I truly cared about: telling the stories of people the world often overlooks.

At night, I turned our bathroom into a darkroom.

I developed rolls under red light until sunrise.

I spent years walking through slums, garment factories, brickfields, train stations, refugee camps, and forgotten alleys.

I entered brothels, disaster zones, hidden corners of cities, and remote villages — the kind of places people were too afraid to go.

I sat with people society ignored. I didn’t just photograph them — I listened.

It wasn’t easy. My fingers ached when I couldn’t shoot. My chest felt heavy.

Photography wasn’t what I wanted to do — it was what I needed to do.

And now, after 25 years, I’ve finally bought a Leica.

It’s not just a camera.

It’s a symbol of everything I’ve lived through — every roll, every story, every step.

This isn’t a story about gear.

It’s a story about purpose.

About belief, compassion, and never giving up.

— GMB Akash

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Author: GMB Akash

"I see the beauty of people and the human soul in the pictures I take. And though the circumstances of some of the people I portray may be grim, back-breaking, depraved, the people themselves are always remarkable characters and souls" For me Photography is my language, to access, to communicate, to identify and mostly to make it hear. Through photography I only jot down my heart’s language. The best part about being a photographer is that I’m able to articulate the experiences of the voiceless and to bring their identities to the forefront which gives meaning and purpose to my own life.

2 thoughts on “A Torn Dictionary, a Second-Hand Camera, and a Thousand Untold Stories!”

  1. Very inspiring, bhai! Modern world gets sucked into the chase for the best camera, and the algorithms don’t help. We forget some of the history’s best imagery were taken on decades-old cameras!

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