An Inspired Eye: 10 tips for encouraging Street Photography

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Have some still moments in a life full of motions. Whatever you do, do for soul feeding. You don’t make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved. Instinct and the ability to anticipate are skills that a street photographer acquires with experience, and a lot of practice. The more you walk through streets with your camera, the more you will be able to tune with the world around you. As a street photographer you are constantly scanning your surroundings. No expression or gesture can escape from you, the challenge is to record that story in your frame.

10 tips for encouraging Street Photography

# How to Frame the fleeting moment

 You are going to get the best light in a certain moments of the day. You will be finding an interesting element to shoot once in a while. Mood of the people changes very fast, so as their expressions. The environment of a whole scenario can change in a few seconds. The action, reaction, speed, mood, light, energy. color every single detail is moving with time, and you need to capture in a fleeting moment. Freeze the moment before you miss it, you need to active in the street like a pro. You need to be very fast to frame what you want to capture. It can be anything but anyone can read your creativity once they see how you frame elements of a picture. Street Photography is all about capturing fleeting moments, moments of tension, happiness, anxiety, relaxation, fun, and any moments which have a meaning to you. The framing of any moment depends on how you are connecting different elements into one photograph. If those elements compliment the atmosphere of your street photo then it will create magic.

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# Easy to feel, hard to express the feeling

Emotions are easy to feel. And easier to see. But it is not easy to forward or make someone feel the way you are feeling. Expressing the emotion of your subject to your viewers is a challenge. Try to be simple with your presentation. If the image is about drama, make it dramatic, if it is fun, bring the funniest thing, and if it is motion create the action. Do not overdo it.

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# Stay curious, Stay thirsty

You need to have an urge to know the place you are shooting. If the place does not create an interest on you, do not waste your time there. Without curiosity no good work can be produced. The feeling of ‘I know this place’, ‘I know what is going to happen’; these thought can never bring any newness in your photograph. Instead feed yourself with this kind of thought ‘This can be very interesting’, ‘I need to go to close’. You need to be curious to experiment with your art, you have to be curious to see things from the detail, with different angels, by creating different framing. Always take horizontal and vertical both shots. Your energy will reflect on your photograph. The intensity of your work defines how critically you have worked, how deeply you look through your viewfinder.

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 # Break the stereotype, there is no rule or role model

You already stored hundreds of image ideas on your mind. As soon as you start taking photograph unintentionally you may want to get the kind of shot you already put inside your head. When you become obsessed to get a certain kind of photographs you are blocking your vision, you stop seeing what you are able to see. It is important to check other photographers work. It can be interesting to get a few shots naturally that many of the photographers had done similarly but this is very important to have your own visuals. It is important to visualize images but to do that successfully you have to free your mind. There is no rule or role model. Release the tension; do not blur your vision of imagination. Challenge yourself at least once in a month to take a shot you never tried before. Get out of that   frame of mind of trying to make someone else happy.  Be wise enough to take challenge, you can fail, it can be hilarious but if you never tried something new how you will know what you love most.

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# Pay attention to patterns, actions and the detail

Pay attention to pattern. Play with light and shadow. Try to capture detail. Make the image interesting. It can be anything. Street Photography is an everyday process of learning. The more you the more you understand your kind of style. No one can take similar picture of one scene at a time. An image is not about what a photographer is seeing but how the photographer is seeing. And adding some patterns, actions and detail will create uniqueness in your image.

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 # know your camera and how it works, be technically sound

There is no specific camera for street photography, and gear alone will not make your street photography better. Do not stop because you only have a compact or a DSLR or smartphone. Pick up the camera you have and make a step in the right direction and start practicing. We need a camera to take photos and certain lenses for our own style. But beside camera also buy photography books and participate in photography workshop. If you do not have any technical knowledge of photography you will continue to do the same mistake without improving anything. It will go to vein if you invest everything for only gears not for knowledge. Do not become obsessed with gears. Keep one camera, one lens specifically. Take some time during every week to practice adjusting your camera controls, focusing distance and exposures. Be bold, and give yourself your first assignment on the street: discover the world right outside your front door.

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 # The art of seeing the unseen

 When you will master the art of seeing, you will start to see things from your inner light. Street Photography is an art of observation. It is all about have the right of amount patience with energy to enjoy. It’s a representation of how you see things. Every moment has something beautiful, some amazing things that are happening all around you, you just need to open your heart to see that with your eyes. Try to capture what you feel not just what you see.

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# How to overcome the fear, hesitation and confusion

Be curious. Travel to unknown and greet to strangers. Have some chat about the place and people. Only start to shoot when you can relate with the people and the place. Find your spirit, your true purpose! If you can really change your mindset then you will be able to change your life. Remember, true learning doesn’t happen in your home. Travel and travel a lot. Do not hesitate to go to an unknown alley. No one can be lost, every road has a destination. And if the road ends you can always come back. Shoot from distance and from close. Always remember, if you believe on yourself the world will believe on you.

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# Photography vs income

Have you stopped listening to your favourite music because it is not bringing money to you? Have you stopped reading your favorite story books just because it is not bringing anything in your pocket? Have you resisted yourself to travel all your desired places only because there is no economic return? If not, then do not put your camera aside; do not stop taking images by thinking about money/ awards/ rewards or considering Photography as a tough career. What about pleasing your soul, embracing a creative you, seeing an unknown world, discovering a new you! Aren’t these beyond monetary worthy? Be a priceless photographer who is serving for own

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# Make mistakes

I hope you make mistakes. Because if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world. You’re doing things you’ve never done before, and more importantly, you’re doing something. So that’s my wish for you, and all of us, and my wish for myself. Make New Mistakes. Make glorious, amazing mistakes. Don’t freeze, don’t stop, don’t worry that it isn’t good enough. If you fail, pick yourself up, dusk off, learn and grow. This is how you can become great at anything by making mistakes.

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Struggling to get good street photographs? Stay patient and trust your journey. What’s meant to be, will happen. You don’t need to find out meaning of everything. Trust your dream that is going to take you where you belong. In this journey you need to stand by your side, you need to be your best friend but also you need to be your best critic. Because it needs a lot of courage to dig into yourself and see what need to improve about you, to see what still have to achieve! Everyone can accept your flaws except you. You have to become a best version of yourself and work on yourself every day, every hour, every moment.

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Upcoming Street Photography workshop with GMB Akash:

‘Street Life’ – A Street Photography Workshop with GMB Akash

Dates: 28th July (Friday) and 29th July (Saturday) 2017

Place: First Light Campus, Dhaka, Bangladesh

To apply email to akashimages@gmail or to make any queries call 01989052484. For detail visit: Street Photography with GMB Akash

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Calling you to discover mesmerizing aspects of Street Photography. By having this experience you will master the art of seeing; you will start to see things from your inner light. You will be taught how being a photographer requires much more than just looking through the view finder and pressing your finger on a cold metal button. How a photographer needs to have psychological connectivity in every encounter of the journey. The fear, hesitation, lack of confidence will be replaced by empathy, assurance and vision. This two days is not just for discovering a photographer inside of you, it is going to unfold what you have already within you. Let’s come and experience of having some magical moments of walking in the streets of street photography.

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‘An Invasive Mind: More on Street Photography’

‘Traveling to an unknown city, to an anonymous alley is always fascinating to me; mostly in order to stare at how life goes on! Stepping into a nameless street and sipping a cup of chai in its old bazaar is like a reunion of moments that are treasured in my memory tag! Street photography has unveiled secrets of eccentric daily life and it has always unfolded mystery that my heart aspires for all the time. My camera is my best friend and spending hours and hours along with it in those streets is so addictive that I am compelled to say that the best part of street photography is – you will never ever feel bored’ – GMB Akash

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Where to go?

Anywhere! Here and there or everywhere. Known or unknown. Seen or unseen. Do not calculate which place is convenient and which is not. Be very casual. Start your journey and discover things that you never thought would fascinate you. Keep one thing in mind: every street trip that you will make will be a unique one if only you can merge yourself within the flow of the street.

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How to overcome fear in the street?

It is very obvious that you will be very uncomfortable at the beginning. But after some time you will be okay with it. But of course you have to overcome your fear. You have to overcome the feeling that everyone is noticing you and you might have to face several rejections. Stay focused, accept rejections, enjoy walking and be very confident!

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One gesture to win hearts:

Please smile. Smiling is a kind gesture. It allows you to alleviate nervousness and it makes a connection with your subject. Whenever you are going to take a shot of any person, nod and smile.

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Communicate appropriately:

During street photography don’t talk too much but do talk a little bit. Small words, hello, can I take a picture, wow, great, fine, thanks small words. If you are going to make a long conversation, it happen often that some people might hesitate about your aim. In case you feel a longer conversation could bring out images then do it.

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Handle yourself wisely

Be very confident in the street. Act like a professional. Feel like you have been doing it for many years. When you will be confident then the people around you will feel confident about you. Finally you will face less rejection.

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Introducing yourself to strangers:

You will meet three kinds of people in the street:

a) Persons who are very welcoming about taking images.  You will definitely explore this opportunity more. While meeting them you can feel it easily so it will be very comfortable for you to take images with time and to experiment.

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b) There are some people who hesitant. They will not refuse you or say no to you directly but you can feel a discomfort. Then it is your responsibility to make them comfortable. Greet them, talk about the weather or simple things about yourself and you will discover after few minutes they will be more at ease.

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c) Go away faces. They are very challenging and you have to respect your subject. If they do not approve of taking their pictures you have to respect that without feeling bad. The most you can do tis o make them understand that their images are fully secured and you are an aspiring photographer. Talk to them about your passion and dreams. Even after that if they say NO, just accept it. We cannot force someone to do anything!

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Take a companion:

If you feel very uncertain and discomfort about shooting even after trying hard then ask a friend to accompany you for a few days. Sometimes company can make your street trips easier.

Daily life in Kathmandu, Nepal. 2006

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Never Hesitate:

In street photography there is not much time to waste. You cannot spend a lot of time just for one shot. It is full of capturing decisive moments for capturing. If you get an excellent shot for a moment, do not get time to ask permission. Just click, then you can talk afterward and explain it. If you hesitate the person in front of your camera will hesitate. Never hesitate.

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Learn to understand people and situation:

A great attribute of any kind of photographer is when he/she can understand people. After being experienced in the street you can feel that you actually can understand what a stranger is feeling about you. Slowly you will understand people and their minds. It will help you to deal with any kind of situation in the street.

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I have already shared a few experiences of mine and some advice in the Street Photography Category of this blog. Have a tour if you want to know more about the topic.

Instructor:

I teach street photography for The Compelling Image: The Compelling Image: Online-Interactive Courses in Photography and Multimedia Storytelling

If you are interested in joining my street photography course sign in: Street Photography

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‘An Unrest Soul : On Street Photography’

‘It was midnight, a night about 12 years ago. Year was 2002. It was six years after that I started photography. Without photography nothing was precious to me. I used to save each and every penny of mine to travel and to do photography from 1996. It was a mysterious, tiring night and I did not know what exactly happened to me. I was restless and I decided to destroy my past. I wanted to start a new start with my photography. I could not like my work anymore. I set fire in all negatives that hold images of mine. I destroy each and every image that I had. Maa run as mad and stood still at my window but did not say a word. She knows I love photography more than my life and when it was burning in front of my mother she was looking at me with deep sympathy. I ignored everything. Wept silently. I felt alone and I know this will be the beginning to search a new me. 18 years I am trying to depict images that I see through my soul with the same thirst that one day I could fulfill my inner emptiness’

– GMB Akash

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The place I like that I love to go very often. There are places where I went more than 100 times. Every time every place is different than my last visit. I would love to discover stories of my frames. Time changes face of place, people and in fact me. The same place that has been visited thousand times gift exclusive images with different layers.

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I can smell photograph. During walking in a street suddenly a place attract me magnetically. I can smell the right place and can smell my future photograph. I wait until I get the picture I want, the waiting makes it more interesting, my attempts make me more excellent. I wait hours and hours with happiness but no boredom. Because I am sure I will get something every very special. Even I spend one day in one place just to get one shot that will remain precious to me for lifetime.

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I am a nutty traveler. I never hide myself during I am photographing or traveling. I interact with the community whom I go to visit. I give them time to understand me and I take time to understand them. In any place you will find children and dogs first to welcome you. They will follow you and you have to win their hearts. If they accept you then the community will accept you. Documentary/travel/street whatever photography I am doing I always know I have to respect people and their thought. If someone refused me take picture I accept it with respect. I take photography when I feel the person is easy with me and in the time when I got an affirmative signal. After taking picture I show them and heard their comment. Sometime I take print with me to show them, surprise them. Small interactions make you confident as a communicator and a photographer. It is important to be trustable when you are a photographer. A small thanks and a big smile can win many hearts.

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I want to extend my territory as photographer. Roads are like my homes. Sometime people call me ‘Specialized tourist’, sometime ‘Documentary photographer’, sometime ‘Travel photographer’. This photographer me is nobody just a medium to bridge with the people I meet. I create bridge with people’s feelings, with their joys with their sorrows. I merge with their cries, laughs. I walk in the street and collect untold stories of people. Every place has different color, smell, sound. That attraction takes me again again. I am nobody of that place but I feel I left a part of me there with the people I photographed.

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‘I keep searching myself over and over again in all cities, footpaths and in streets, from country to countries. People forget about me, my face and my camera. As because I am not any part of their life. But I never can forget a single person I met in the road. I keep their pictures in my mind in my memory card. And I wish one day or one night again I will meet with any of them and will say how I kept their memories in my heart’ – GMB Akash

To Join in my upcoming street photography workshop in March 2014 please sign in at:

Making Photo Essays of the Street’ With David Bathgate and GMB Akash’

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‘An Unflinching Eye : Introducing Street Photography’

‘Sometime a crow visits my balcony and its harsh calling wakes me up. Those mornings often turned me down. In such meaningless morning I just pack my bag, give myself a break and walk out in a nameless street. My endless journey welcomes me ahead and I picked memories one by another from my unknown destination. Capturing a definition of an indefinite street is street photography to me’- GMB Akash

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Stop being bookish, follow your own theory’

‘Make yourself comfortable’ or ‘feel being at home’ these advices are too bookish to me. In practical, my heartbeat goes up and my knees shake a bit when I stand in a place that I want to express just accurately the way I am encountering. When a cat suddenly popped up with an old woman and their astonishing-frightened-funny stunt gives me a command in my head ‘click-click-click’. ‘But what I shoot!’ I missed a second and that took out all. Yes, this is the biggest challenge that street photography offers you. You have to seize the moment before your cerebrum read it. So the question is, ‘are you afraid being in street’? I believe when a person become photographer he/she leave ‘afraid/anxiety’ behind. I rather call it hesitation/nervousness and insecurity. When you jump into the street by carrying your camera you already killed your 50% fear.  Now it is your nervousness that holds you back and just after clicking your first shot you are ready to rock in the road.

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‘A photographer next door image’ or ‘an invisible photographer image’?

In the middle of a big crowd, surrounded by so many people different than me sometime I become unusual. And when people started noticing me by raising their eye brows then my big smile helps me out being abnormal. Yes, as a photographer it is very important that you have a familiar face with a universal smile at least an ability that tells people you are reliable. When you learn to merge in the ground then surprisingly you will see that you learn the method of being there but unseen by people. It depends on you either you want to earn a ‘photographer next door image’ or an  ‘invisible photographer image’, pick one that serve your intention and that helps you to shot well.

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Get the hint

The street that I often visit is not only familiar by me but I am also familiar by it. A common place I visit has a triangle turn where then comes the street corner; there I usually followed by one or two street dogs. In the beginning it was not the same. In the very first day they suspect me and even after touching them they suspiciously moves with me whole day. Now when I appear in the street they wave their tail and follow me obediently. Inhabitants know well that I am no longer a stranger. So whenever you are new to a place make a relation, get a hint or balance yourself repeating something people can understand that photography is your passion not any venture. When you are totally in a new place and you might never get another chance to be there even then try to find a mutual intimation. Trust me your understanding and relation will show in the picture you will take.

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Enjoy discovering yourself

Every street is different, people belong to the street is different, smell is different, color, texture, light all are different. Indifferent is you and your camera. Discover a different you in every different street is your voyage. The biggest challenge is to discover the unique thread by this common with your third eye. For me the photograph is only a wow – when I take a picture of the street and after showing it to the curious inhabitant they express, ‘when it happened? Does it really look alike?!’ when people laugh, shout, surprise and question then I get the picture is happy to be about. It’s a treat for yourself when seating at your lab you suddenly bumped in a folder where you found the expression of a European shopkeeper is the same with an Asia shopkeeper just difference is in place and circumstance. Discovering this similarity is way more interesting than finding differences. Enjoy discovering yourself in everything that is the wow factor will keep you motivated in long run.

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Inspiring trigger

Try to answer yourself why you are fascinated about street photography. What will it bring to you? Why are you passionate to be in street? Are you stopped yourself because there is no fame or name after continuing do it! Find your inspiring trigger and forget about expectation. Keep yourself motivated, ignore critiques. Find an inspiring space which appreciates that what you are doing. It can be a friend circle; it can be your blog or your website or just your facebook. It is very important to be inspired to continue your work that you are doing.

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What actually Street Photography gives you?

–          Street Photography helps to be a good photographer. Street photography has a trial and error method that helps you to enrich yourself as a photographer though whatever your field is.

–          It brings you the utmost courage to go to that much close to the people that someone allows to welcome a stranger. Its helps you to mix with unknown people and to know about their attitude towards you

–          It bounds you to take challenge. Finding a way of a maples road is aspiration of street photography.

–          It will help you professionally to gain new concept, unconventional idea and will help to create your masterpiece.

–          People said in street photography 99% are wasted. I said street photography teaches you photography 99% and rest 1% you have to gain.

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In Patan Darbar squre the woman is feeding pigeons

How to do good out in the street?

–          What you are carrying who cares, carry that much you can effort, just remember you have to walk a lot and you cannot annoy people by your baggage.

–          Street photography helps to stay focused but you have to make the connection. Smile a lot and try to make fun with people you are meeting.

–          Make street photography one of your favorite time pass. Discovering new things everyday is like surfing in a new you.

–          Street photography is like swimming. I am not kidding! When you learn to swim (photographing) you will desire to go deeper.

–          Learn to handle yourself in the street. It is you and your personality that will help people to look at your camera naturally.

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–          Until you are not enjoying your walk your camera or your mind will not take your demand.

–          Take a company or a friend with you at the beginning to break the ice. Shooting alone is way too enjoyable when you know how to treat yourself best in a lone journey. Do not go out with more than three friends then shooting will be secondary.

–          Keep wakening your third eye

–          Look at things in the streets like you are watching a movie. Find the characters, drama, action, humor and romance.

–          Carry the camera that follows your command. Do not juggle with new equipments in the street without run it previously.

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In the journey of photograph limitless experiences remain uncounted. Bad news won’t keep navigators from the open seas. The street photographer who loves the work he/she is doing will never stop. The courage of such ONE gives birth of His/her kind of street photography.

Instructor :

I teach street photography in The compelling Image: The Compelling Image: Online-Interactive Courses in Photography and Multimedia Storytelling

If you are interested to join in my street photography course sign in: Street Photography

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