‘Mystic domination of Pashupati’

The place is very well-known to me. But still this very familiar place is like mystery in many ways. I have been here for fifty times and my camera took every memory from each time of my visit. Apart it to me it is one of the most mysterious or the simplest destination that I was heading for 51 visits. At the side viewer of my taxi I saw buses full of Indian community queuing behind us. Telling numerically every day how many people come to visit this place is impossible.   I have reached to my destination, ‘Pashupati Temple, Nepal’. In one glance the place seems like it has taken a shower with morning glow. The magmatic light may never visible to me like this before. The flavor of the magnetic aroma by the near shop and flowers waiting in shops are always welcome signs for tourists.

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I do not like an easy way. I love to be lost. So, I did not enter the temple premise. I went inside a ‘Dhramashala’ nearby. In the yard of the ‘Dharmashala’ a lot of families made their spaces for themselves under the open air. They are tribal Indian who visits Pashupati once a year. All married women of all ages wearing anklet and a ring in the middle toe in dark toned feet. In the time of taking picture of a woman she burnt her roti that was in the pan. Her hungry child grabbed it fast before other four could take it. They do not understand Hindi, Nepali or English. Their children’s yelling and their tired faces described well from how far they come. I let them struggled with their rotis and leave for my next place.

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By taking pictures as like other times I entered to Pasupati with another way. In front of me the giant and impossible ‘Pashupati’. Hearing the rhythmic chanting and sounds of temple rings I kept walking inside. Before I normally could inhale the smoke and tart air a group of people suddenly bumped into the place by saying ‘Hari’ ‘Hari’. They are carrying dead body and going to the river side.  I started following them magnetically. Echo of some crying women made the atmosphere heavier, moneys those were throwing papers on people stopped for a while. A woman fainted when she went to give water to her dead mother. The dead body has been placed there ritually. Three dead bodies were preparing for their eternal ritual. Having mental balance to take photograph in such moment is tough. Having consolation for the family at the same taking picture is a toughest moment. In the time of great grief nobody bother about me or my camera. I started taking picture like an invisible person. No one look at me or ask to leave. I continue to capture moments of farewell.

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When I no more can bear the pains of people who kept crying in an unknown language I leave the place. I only notice those naughty monkeys when one of them tried to take my cap. They were following me all my way. After walking a while I meet my known priests. They are always same in the all years round. Their posture, ornaments and clothes remained same. The Hanuman with his mobile phone inside his box or the naked Shadhu all are always there in their right place. One of them loudly said with a smile ‘Bangladeshi Akash, Kaise Hau?’ During taking their pictures smell of different fragrant were coming along. I moved by  following it. I kept discovering Pashipati. Pashu means leaving beings, and Pati means master.  In other words Pashupati is the master of all living beings of the universe.

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I went directly to the hindu cremation ghat of pasupati. The same old fragrance welcomed me. Flames from fire, smoke and ashes were all around. Relatives of dead bodies were seating inside and outside in the premise. A dead body was ready for the final ritual. After putting all woods sequentially the son of the dead person set fire. Relatives were holding holy copies and kept chanting.

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Opposite of me I saw many photographers and people were seating in the staircases. The sound of spiting fire and woods kept haunting me. Ashes were all over my body. After two to three hours ashes only remained.

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When the place was preparing for another burial I saw a lot of young children below in the river collecting dead woods that threw in the river side. They are from outside Kathmandu Valley and living near the Pashupati Arya Ghat area regularly collect half burnt wood thrown to the Bagmati river after cremation, to sell to the brick factories located near Kathmandu. Before one of the Dhakal ask me not to take picture any more I Closed my camera.

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The sun was going away may be with all remaining souls. In the temple a religious music was playing. In this holy place in between of all this loses some people keep searching lives. Life and death is so close to this place maybe that’s why very very special – ‘Pashupati’.

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*** Pashupati area is regarded as one of the most important places of pilgrimages for the followeres of Hinduism.  Thousands of devotees from within and outside the country come to pay homage to Pashupatinath every day. Pashupati area is also included in the list of world cultural heritage.

Life and Death in Pashupati

“Here and there they are seating in the courtyard and on the shrine platform with absorbed in detailed memories of a distant happiness. Or it is a place where elderly people are left by their families to die? Thousands question will haunt you but there is no one to answer you but only your inner realm of emotion. They submits to being fed, here, in a old home, It’s the same every day, every day…..I understand, when you get here you don’t worry about the future. Then, I mesmerize, May God bless and give them solace.” – GMB Akash

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Once you enter the premises of the Briddhasram at Pashupathinath you can’t help but feel like you are transcended time back at least half a century or more, to a place where the world moves very slowly.

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Looking at the bed side a damped photo of a grandchild while a grandma smiles and say she didn’t see her last 10 years yet she sleeps with a same photo in her mind. They were like reciting their homelessness to me. I have to capture their souls to keep their image from disappearing out of sight.

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There, you can see all grey haired elderly citizens doing nothing but spending lazy moments for hours in the courtyard and on the shrine platform. Some curious eyes follow you as you walk pass the welfare gate. If any of them is busy praying than other is trying hard to bend and dust off his cloths. A place, all you hear is the steady sound of the wheeled metallic support of an elderly with crippled feet or a faint sound of a broken radio which is playing Nepali song or news.

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(Social Welfare Centre Briddhashram is the only Elderly’s Home operated by His Majesty’s Government in the Kingdom Nepal. At present it is being operated by the name of Social Welfare Centre Elderly’s Home, Pashupati since 1977 A. D. The total sheltering capacity of this Elderly Home is 240 persons. These residents suffer from many illnesses associated with old age; including paralysis, failing eyesight and deterioration of mental faculties)

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For some it is a depressing scene to see people at the end of life, away from family, living in the Briddhasram. But for many, this is a place where they seek refuge from an ever speeding life and feel satisfied enough simply helping and sharing talk with the older citizens. The residents of the home don’t talk much to each other, which gives you an aura of wilderness where no word is spoken; but they really live for each other closely for rest of their life. This home for the elderly fills one with hope. What gives hope is that although they have lost families and possessions, the residents still care, they care for each other and they retain a deep sense of humanity.

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Many people believe that they must help and protect their parents, when they become old. I personally believe that this is a moral obligation that every child should have towards their parents, whichever the way they choose to do so but they should never let them break apart alone.

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“Through my lens I try to listen to their silent voices, in absolute solitude and silence,for I am sure I shall be able to hear about their unbearable wounds in which they stumbled upon alone years after year. So I take out my camera, go inside the place and merged with their pain”

– GMB Akash

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