Ships’ Graveyard

“This is an emblematic depiction of the agony of hard labor. For saving themselves from hunger they breathe in asbestos dust and toxic waste. Thus they are risking their lives everyday. On the verge of death they risk their lives in order to endure themselves. They are passing their days on one of the world‘s most unregulated and hazardous industries, leaving a trail of debris, disability and death in its wake. I spend 10 days in the Gaddani ship-breaking yard north of Karachi in 2005.  I witnessed workers dismantling large ships, piece by piece using no protection, in absence of tools, where one wrong move could result in death, but they were continually depending in their bare hands. In a city of dying ships flames with smoke rising, tormented with ship body parts, metal residue, asbestos, and oil spills. Barefooted workers with little access to necessary tools are vanishing ships on the rusty sand of Gaddani and break down these steel giants coming from all the harbours of the world.”

– Gmb Akash

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The beach of Gaddani, 50 miles north of Karachi in Pakistan, has become one of the two world biggest cemeteries of super tankers, cargoes and other vessels in the world. Thousands of men, mostly Pashto migrants, toil over the ships. They are seasonal workers, a large number of native and immigrant workers returning to their homeland near the Afghan border at harvest time. The group consists of perhaps from Afghanistan. They pen for their beloved, whom they get to see only during the year ends. For around USD 1.20 a day, thousands of workers labour to dismantle dozens of ships each year at the ship-breaking yard in Gaddani.

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Rashed, a labourer at the Gaddani ship-breaking yard has worked for five years dismantling ships. He said: “Had we had any other way of earning bread, we would not have come here.” Workers are always under high risk of accident, though they hardly care to secure themselves. Under hitting rains of sparks, blowtorches split through the thick steel skin of a ship. As they are cut lose, the pieces of metal plummet to the ground with a roar. I saw workers, toiling ceaselessly, as though banished forever to an underworld.

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Many workers operate in tight spaces where the air is thin, and in high temperatures caused by hot welding, which is widely used, not to mention that they are constantly exposed to flammable liquids like paints and solvents. The work carried well into the night shipyard in Gaddani, Pakistan. This is the ship graveyard that serves as the final destination for a significant part of the world’s fleet.

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“Barefooted workers would take apart, bit by bit, the dying ships with their bare hands, shipyard in Gaddani, Pakistan.  On their shoulders, workers bore great metal plates to their destination. People complain about their crappy lives working in an air conditioned work place, imagine having this as your only option in life.”

– Gmb Akash

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Faces Tell Stories

“Among all – Human faces are most attractive to me. Every face has a story. We as photographers reveal that undiscovered story through our lens. Faces tell stories, tell the situation of the person, and tell the story of the place the person lives in. Wherever I go somewhere I always come across to faces those are different and eventually try to find characteristic of the community; every place has its own perception, story of smell, a person bears these things in his/her appeal. I search for story behind the face, so faces are incredible to me. Through out searching the portrait we could find strange stories of lives of people from different places that we never recognize before. I am going to share my experiences  during the journey of finding unnoticed faces

– Gmb Akash

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I search for getting an interesting character, a face that is unusual. I search such face in the middle of crowd. My first prior attention is the selection of the person, choosing the right character. Before I take any portrait I try to be familiar with the person. I talk to him/her and try to build a relationship with the person I will photograph. I give them time to be normal in front of my camera. I introduce myself to them. When the person gives his/her most natural expression to me, I take out my camera then start shooting. I believe it is the strongest factor which I practice so far to get a close snap of a human soul.

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For me light is the most important element for getting an excellent portrait. I try to use different type of light; I try to shoot in different time of the day to get different colour and mode of light. Every light has its own appeal for creating different portraits of an individual.

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Technically I use 35mm (f 1.4), 24-70 mm (2.8) lenses. But I take portrait with all kind of lens I have. Truly to say I do not care about my equipments much. For me the most important is – the person. Some times I also use very open aperture like 1.4 to get very low depth of field. So my eyes only go to my subject. As in some cases the surrounding environment is very important, so in that time I use aperture 8 to get all the elements in focus. But I do not like using very wide angel lens and I do not like a lot of distortion on the photo. I saw many people use wide angel lens for most of their works. If you use very wide thing, the picture look interesting because of the distortion. But in my opinion then the picture looks like it has taken by the wide angel lens not by a photographer. So I don’t use too much wide angle. And thus I try to make my images clean and direct.

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I have strong affection for color. I am a color photographer and I believe color photography is more challenging so as complicated. When I can meet the challenge I feel relieved. I am always very careful for using light and color. I love shooting in the early morning and late afternoon. But while I take portrait in the mid day I try to shoot them in the shadow, indoor or under flat light. It creates mystical environment.

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I try to use very simple background while I am taking close up portrait, so that the background might not disturb the subject and I try to use lot of – window soft light. Eyes have significance to me. One of the most important things in my images is eyes of the person. Eyes tell the story of that person. Eyes tell the unseen background of the person which I always hunt to discover.

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– For me the most prior factor is the character of my portrait. The light, color, eyes & the person must have to be blend with me. I align four factors together for taking a special portrait they are – the person, the light, eyes & color.

– Attention is the most hidden factor to get a good portrait. The person need to be familiar with you and the camera, it will be your prior duty to make the person natural as well comfortable for getting a best shot.

– Several rules applied by photographers for getting experimental portraits. Every photographer has his/her own style of taking portrait. Often the most remarkable portraits are those that break all the rules, so it’s important to create your own rules to get a master copy which might never done by some one before.

–  Expression indicating the direction of the person’s eyes which can impact an image astonishingly. For me it’s important to observe the right moment of the direction of eyes.

– For creating interesting images you need to give trial, for creating interesting placement of your subject. After Creative thinking, creative placement can sometimes create out of the ordinary images.

– There are almost unlimited possibilities when it comes to use light in portraits. Input of light could make a portrait more or less powerful, as well side lighting, back lighting, silhouetting can spot specific features.

– Never fail to align your mind, eyes & lens together to find the inner beauty of the portrait.

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“Any Book or text or any experience sharing can not demonstrate “Portraits” practically. Pick your camera explores faces to get a good portrait. And you are welcome if my single practical example or feedback could uphold your knowledge”

 – Gmb Akash