Every year, Bangladesh faces devastating floods that claim lives and leave millions homeless. In 2024 alone, over 5.8 million people were affected, 71 lives were lost, and damages soared to $1.2 billion.
Annually, disasters like floods, droughts, and storms inflict nearly $3 billion in losses, affecting over 6.3 million people.
These figures, while staggering, only hint at the personal tragedies—homes submerged, livelihoods destroyed, dreams washed away.
For over two decades, I have been documenting these stories through my lens, aiming to illuminate the resilience and dignity of those who face nature’s wrath with unwavering spirit.
Photographing the human cost of climate change is not just about images; it’s about empathy, understanding, and a call to action.
“This exhibition is a prism of callous realities and haunting metaphors of issues of climate change. Photographs of the exhibition will reveal the bare bones of climate disaster which causes human life to suffer for eternity. Either it is flood or desertification worst is these had severe effect on human life. Desertification is already causing changes in the social environment of certain areas of the African Sahel. Agriculture, livestock, and over-population have been the primary reasons that this previously stable dry-land ecosystem has been turning into desert. At the same time as these physical changes have been occurring, social destabilization and migration also have been, leading to food insecurity, disease outbreaks, and increasing levels of cultural extremism. more than 42 million people were displaced in Asia and the Pacific during 2010 and 2011. This figure includes those displaced by storms, floods, and heat and cold waves. Still others were displaced by drought and sea-level rise. Most of those compelled to leave their homes eventually returned when conditions improved, but an undetermined number became migrants, usually within their country, but also across national borders”
Gaetano Plasmati:
The project of Gaetano Plasmati is the result of a journey that lasted 15 years and has developed over a series of trips to Algeria, Libya, Tunisia, Morocco, Mali, Niger and Eritrea. The beautiful shots by Gaetano Plasmati describe a journey in search of people who live the drama of desertification, such as the Wodaabe, the Dogon, the Tuareg. Plasmati has followed the slow and inexorable retreat of the nomadic’s territories which become less and less comfortable for traditional economic activities that sustain them. Desertification is a danger to almost 50% of the land and puts at risk more than 100 countries with approximately one billion inhabitants. The continent most affected is undoubtedly Africa: here over two-thirds of the cultivated lands are at risk. The path of Gaetano Plasmati winds through the dunes and the rock paintings of the Acacus and Tassili N’Ajjer in Algeria, the great Sahara, the markets of the mythical town caravan Timbuktu, Djenne, Agadez, Niamey and Djanet. Plasmati has portrayed hostile landscapes and people tempered by the roughness of nature, dunes vivid colors and rocks that are museums, suks and caravans in a succession of faces and landscapes which give rise to the extreme dignity and composure with which the “nomads of water” live their atavistic discomfort.
GMB AKASH:
“I have framed how every year flood causes people suffer miserably in Bangladesh. I experienced how with the drowning sun villages go under water. How People sheltered in roofs of their houses and lost their lives. Moaning of old people & shouts of children of the miserable atmosphere can only describe small bits of devastating sufferings of flood. After facing devastating flood every year, people still fights to live apart loosing shelter for existence. Still they fight to live. They collect all destroyed pieces of house to shed their head. Women go for fishing, children dry their damp books, and men rebuild homes. In flood I spend days, nights and months in flood affected areas past 12 years. Throughout the journey, the rotten water wrapped me by leaving a restless feeling. Every day, I encounter a new tragedy by finding people who have no way to escape from rising water, who can only surrender everything to the mighty nature. Several times I have been severely injured or illnesses have torn me down. Nevertheless I continue working because of my strong belief that my pictures can make a difference.” – GMB Akash
People in Bangladesh live precariously close to the risks of cyclones, floods and droughts and more than 100 million people live in rural areas. Two-thirds of the country is less than 5 meters above sea level and in an average year, a quarter of the country is inundated. Bangladesh has experienced severe floods every 4 to 5 years that may cover more than 60 percent of the country, resulting in significant losses. United Nations’ Intergovernmental Panel on Climate Change predicted that rising sea levels could submerge 17 per cent of Bangladesh by 2050, creating 20 million “environmental refugees”.
This exhibition intend to speak about harsh reality of many who are displaced from their homes and living in exile in another country, and/or from issues to become victims of natural disasters and internally displaced in their own countries. The displacement, and migration, of very large numbers of people, will be one of the most significant effects that climate change will have on humans. Often times these displaced populations will have nowhere to go except to regions that are already densely inhabited. Many of which, will likely already be having trouble supporting their own population. We are cordially inviting you to visit how water impacted life. If you are in Matera in 14th of April 2013 do visit the exhibition and those who are far away from the exhibition Gallery, this post will give you a trailer of the show. We hope that while you are in Matera, Italy, you will take a moment to visit the exhibition.
Exhibition: WATER
Gallery: Galleria di porta pepice present
Exhibition Date: 14 April 2013
Gallery address: Via delle beccherie 55, Matera, Italy
“Photography has taken me to discover many unexpected territory as all time I wanted to see the sights of unseen & unforgiving incidents of reality. I was engaged in one of my personal project’s work on ‘sex workers’ for which I went to Madaripur. I have been working on ‘sex workers’ last 7 years & my works demand me to investigate their situation all over the country. Last year, in the month of August when I arrived at Madaripur it was afternoon. Shockingly I have seen thousands of apes are in street, running here & there. It was an unexpected thing of my life to see thousands of ill monkeys are moaning alone. I was traumatized, unspoken & felt awful when I understand all these thousands monkeys stand in front of me are HUNGRY. I always concern to cover stories of situation which need concentration for helping out by the assessment of the world. So I take out my camera & run to middle of them”
In char Muguria area, Madaripur around 2,500 monkeys are facing severe food crisis. Due to acute food crisis many mother monkeys, passing days starved or half-starved, are even unable to breast feed their babies. Quite a few monkeys have already died in this serious situation. Concerned over the pitiable life of the monkeys, locals and visitors have urged immediate arrangement of food for the monkeys. Though the local communities are already poor to feed themselves but the heartbreaking scenarios of monkeys influence them to share their own food with them. Despite keeping distance with human the unable monkeys are taking foods from people’s hands. The hungry monkeys were competing for the inadequate foods like peanut or biscuit given by the visitors. They were also trying to eat whatever they got — grass, garbage, polythene etc. Baby monkeys are suffering badly in malnutrition. Even the water crisis made their lives more pitiful. Local community sought allocation for food for the monkeys but the higher authorities are yet to give any response in this regard.
“A mother monkey by carrying its dead child was passing from trees to trees. When it came in front of me & begged foods I realized the monkey did not identify its child is already dead. This pitiable situation made me terrified. These apes, whose residents are jungle, came out for food & begging to feed themselves. These climate victims are more alike my working project of ‘Sex workers’. Human & animal all are helpless in front of starvation & need. They are survivors of dreadful situation which many of us over looked or never know”- Gmb Akash
I usually take a picture of a person and then afwerward when I close my eyes for recalling what I have taken – the first thing that hits my mind is – Colour. After observing a person if we try to recall, then unconsciously colours comes first in our mind. The texture of the skin, colour of hair, colours of cloths and over all colour gives us an impression about the mood of the sight. Colour is a strong element to illustrate a person’s traits. I believe every person cover a mood of colour.
From beginning of my career I am working for those people who are living in the edge of the society.While I started working with these people I surprisingly discover – life has taken all colours from them but still they are cherishing every moment of their life with colour. Colour is their courage; colour creates enthusiasm on them to fight to live for another day. Person, who has nothing, has colour in life. In beginning of my career I took all black & white photographs of those who are colourful. I found out poverty, sorrows and depressions become vivid if I skip colour from their life.
To present – ‘the present’ I start working on colour. A street child, laborer of a road or even a homeless lady all of them has colour. People who are fighting everyday to live life are heroes to me and these heroes represent colour. Their skin tone, dresses, living places all are colourful and powerful. They are deprived from all happiness of life but yet they treating themselves with colour. While I discover the truth I learned to capture the mood of colour on them.
“…I realize I have no power to deny the colour of these colourful people who are straggling in a colourless, hopeless world, nevertheless they live and smile. So I can not ignore the yellow balloon of a homeless child or even a red bowl of a beggar of the street. This inspiration inspires me to work with colour. Ans I continued my journey in the path of a colourless world to meet with all these colourful souls…”- Gmb Akash
Colour arouses my work for getting the depth of the sight. I got colour in different mood in the different part of the world. But I discover people who are fighting endlessly for surviving are more colourful than any part of the world. Because of this colour is more challenging to me. I take this challenge to explore the unrevealed spirit through every capture of mine.
I have a special affection for red. I like to take picture in the early morning and late afternoon. Unpredictably red comes to my way often. People who are living in lower rang affectionate about the colour – Red. It is important to take a red shoot carefully. Contrast might made the capture disturbing, while too much red can destroy the attention for the subject. A good composition and balancing of colour can create an outstanding shot. Apart of all it is important to discover the right mood of colour in the right temperament of an individual.
I go to country to country to explore colour differently. I have found out different colour in different cast. You will find people of power through colour. Your experiences & observations with colour will help you to reveal certain attribute of a community through colour.
– I prefer to use natural light which allows me to capture the originality of the moment of colour.
– I try to find out a natural background which suits the subject’s colour instinctively perhaps my entire colour photos are – found situation. So I believe to observe more & more while traveling frequently.
– Working with a single colour allows me to appreciate more intricate details within the subject itself.
– I travel to discover for getting the unexpected shot yet carrying the note in mind that I am searching thing which I have seen several times but never been noticed. Searching without clue for a known thing helps me to get a good colour shot.
– I only pick colour which has meaning to the subject.
“While I am taking photos of these colourful souls I am learning to live in colour. By capturing these colour moments I have learned – few hints of red, blue & yellow has inspirations in our life. People who are fighting without anything in this world are healing their pains by indulging in colour”
“When the train starts your feet will shake and you will automatically try to hold something, but there is nothing to hold on to. From 2005 I went up the train. Sitting or lying on the corroded metal roof of a train moving at 40 kilometers/hour is dangerous. By knowing that any time accident can happen you obvious to be nervous. It gives you an insecurity and makes it more risky. In that time there was no one who can tell me the rule of hanging in a running train, there was no example of photograph by which I can inspire myself to capture moments in camera. But I did not think twice to step into the slippery train and attempted to make a new series on the bravery of some insignificant heroic lives.”
Seven years ago I had to travel many times by train to come to the city. During traveling I noticed low income people were traveling in the roof of the train and even in between joining line of the train. Most of them were low wage working class and traveled with high risk of severe accident. I was surprised to the fact when I discovered few of them traveled many times of the day with life risk. For knowing the reason my interest had taken me to the root. I pick my camera and leave my seat. Thus my journey starts in the running train. I had a basic curiosity to know about people whom I intend to photograph. From beginning of my journey I work for those people who are fighting endlessly to survive without anything but a smile. For taking photo of them I blended myself into the same conditions which help me to get the insight of the story. This inquisitiveness leads me in the top of the train. And I become one of the free passenger of regular running train. Thus I got familiar with the scary situation of the fearful journey; discover people and above all I took pictures.
Uncountable times, I went to the roof of the train. Often traveling made me familiar with scariness of a running train. People become well-known to me. I find out so many different stories of people and their determination of surviving. When I manage myself to step straight then I pick my camera and start capturing my feelings. No one travel to risk their life to get pleasure. All were unable to manage travel cost as they were living under the margin. Many of those travelers work as day laborer, many of them goes for selling fishes in city which they collect from their villages. All of them have to return also. These travel costs can not manage by them so they risk their life in the top of the train.
This traveling is very addictive. When you will discover people who have power on them, who were bravely setting without caring anything the something will happen to you too. These people inspire you to live life without getting frustrated. They have nothing with them only have bravery to fight against all odds of life. So this journey put power inside me to fight in rest of my life with bravery and inspire to take any risk to live a life.
In winter surface of the train get slippery, once I stepped without been concern and attempted to fall. It is difficult to take picture in opposite of the direction of the running train. Along other passengers I have faced terrible winter, unwanted rains and continual heat in the top of the train. Many times wires hit me, every time I thought I should not go more. But again I can not resist myself. Getting a good picture is toughest thing while you need to spend days and months for the right moment and for the right click. I won travel photographer of the year title in 2009 on the series. Besides all I am fortunate to be able to stand in this fearful journey which will continually give me power for rest of my life.
“I recall all these journeys repeatedly. My achievement is that I established this series as one of favorite topic for photographers. I feel happy when I see photographers come from around the world to get a free ride in the top of the train and takes pictures. All these make me happy. I collect all these treasured moment and I am working for publishing a book soon on this series. I have to say, I am fortunate by killing fears of me to become able to go to the top of the train. There is nothing to hold on to, only your fearlessness”
After Aila attack it has been two years Khadeza Begum sold her cattle & everything to rebuild her only shelter. Now it is another nightmare for her to stay under her destroyed house after facing another devastating flood. She has no idea how she will manage to pay back all her loans, besides passing nights in this smashed house with her husband.
Kadeza Begum said:
“We have nothing left, but we have to survive, so we’ve had to build our house again, twice in two year”.
Like Kadiza Begum It takes one year to Nobab Ali for building his house after Aila attack. Again flood hits on his all effort & left him in the flooded street. After all these devastation still he is trying to get some materials from the ruined house for covering his head in the road.
Alike them all inhabitants of Shamnagar are suffering like prisoner of devastating water kingdom. Helplessness & shouts are not getting into ears of rest of the people around the world & surroundings. In all places water & the destruction of water could experience in flood affected areas of Shatkhira. Inhabitants are collecting water after walking 3 Km. as all tube well are under water & badly affected by salt.
Amina begum told:
“Here water in everywhere, even in my house there is no sign of house only water. But we are such cursed that we have no water for drinking”
After facing devastating flood every year, they are fighting to live apart loosing shelter for existing. Still they are fighting to live. They are collecting all destroyed pieces of house to shed their head. Women go for fishing. They are healing pain of each other set aside from the remaining world.
I headed to the flood affected area of Shatkhira when all those villages are under water within three days & was out of communication. Evidentially when I reached to Shamnagar sun was setting down. I was surviving in a boat & could not see surface to stand a while. With the drowning sun the village was drowning under water. People were sheltered above in roofs of their houses. Moaning of old people & shouts of children were making the atmosphere miserable.
The southern part of the country is mostly affected by rain-fed disaster. There was heavy rain all over Bangladesh but flood has affected 14 of the 64 districts in Bangladesh. In Satkhira Kobodak, Betna, Shalta and Morichhap rivers swelled abnormally over the last seven days overflowing their banks inundating 160 villages in dozens of unions in Tala, Kalarowa, Ashashuni and Sadar upazilas. Over four lakh people of 160 villages were marooned. Crops on several thousand acres land; thousands of dwelling houses, schools, mosques, markets and ponds were inundated. Over 2,000 shrimp enclosures were washed away. Families lost everything & staying night without roofs in wild weather. Incessant rain coupled with high tide triggered by depression in Bay in the last few days caused river water rising engulfing villages on their banks. No humanitarian support has been provided to the people in the most affected districts by the government, local, national and international NGOs even after 10days of water blockage. People are suffering like prisoner of devastating water kingdom. There helplessness & shouts are not getting into ear of rest of the people around the world & surroundings.
After the flood in Shatkhira, all ladies are moving for dry places by carrying their belongings. Families lost everything, passing nights without roofs in wild weather. In such a situation open air in field of water can not accommodate them for healing pains. Leaving behind everything they are moving to the city. . Hunger, helplessness & calamity force these climate refugees to the city. City welcomes them to face the uncertainty of living for their entire life time. Rootless people suffer here & there. Their tears evaporated by thirsty street of Dhaka, the capital of Bangladesh.
Bangladesh is the most vulnerable country in the world, the frontline state of climate change. Mostly to say Bangladesh seems the leader of climate change. With 140 million people, Bangladesh is one of the world’s densest nations and also one of the most vulnerable to the impacts of climate change. Like much of the delta region, it floods each every year, but the flooding has been getting worse, the waters are staying longer, and contaminating the fields and the wells with salt. People in Bangladesh live precariously close to the risks of cyclones, floods and droughts and more than 100 million people live in rural areas. Two-thirds of the country is less than 5 meters above sea level and in an average year, a quarter of the country is inundated. Bangladesh has experienced severe floods every 4 to 5 years that may cover more than 60 percent of the country, resulting in significant losses. United Nations’ Intergovernmental Panel on Climate Change predicted that rising sea levels could submerge 17 per cent of Bangladesh by 2050, creating 20 million “environmental refugees”.
Here is a short film on this concern – how people are facing the calamity by living their normal life behind:
Still images of this devastating flood could reveal people’s straggle & endless helplessness.
The lady is going inside her house. The flood has broken all her hope to pass a single night in serenity. After facing devastating flood every year, they are fighting to live apart loosing shelter for existing.
“I headed to the flood affected area of Shatkhira when all those villages were under water within three days & out of communication. Evidentially when I reached to Shamnagar sun was setting down. I was surviving in a boat & could not see surface to stand a while. With the drowning sun the village was drowning under water. People were sheltered above in roofs of their houses. Moaning of old people & shouts of children were making the atmosphere miserable. When I reached to the house of Khadeza Begum I closed my eyes. It took two years to rebuild the house of Khadeza after selling all her cattle as well taking huge loans after Aila attack in 2009. I was standing in front of her ruined house. The house which has been rebuilt these two years by the bravery of Khadeza. I could not answer when she was hitting me by asking why I come to take photo of her ruined house again after Aila. No one come to ask them ever how they are fighting against the will of nature. She cursed all those happy people who seat silent after hearing their news”
In 2009 Aila attacked Shatkhira area, after two years when that pain has not forgotten this place again faced the ferocious attack of flood. While in these two years affected people managed to build their destroyed home but again flood has taken last hope from them. Over four lakh people of 160 villages were marooned after the striking of flood in this 2011. Crops on several thousand acres land; thousands of dwelling houses, schools, mosques, markets and ponds were inundated. Shrimps in over 2,000 shrimp enclosures were washed away. Families lost everything & staying night without roofs in wild weather. No humanitarian support has been provided to the people in the most affected districts within the affected time of 13 days.
People were suffering like prisoner of devastating water kingdom.Helplessness & shouts are not getting into ears of rest of the people around the world & surroundings. Still they were fighting to live. They were collecting all destroyed pieces of house to shed their head. Women went to water for fishing. They were healing pain of each other set aside from the remaining world.
Hunger, helplessness & calamity force them to the city. City welcomes them to face the uncertainty of living for their entire life time. Rootless people suffer here & there. Their tears evaporated by thirsty street of Dhaka.
After discovering the insanity of nature & bravery of these sufferers I realize these people are stronger to rule their own live. If these brave people could get support of a shoulder to cry, rest of us could claim us as “Human”. I recall the statement from Helen Keller & focus my lens to capture some brave moment.
“I am only one, but still I am one. I cannot do everything, but still I can do something, and because I cannot do everything I will not refuse to do the something that I can do”- Helen Keller
Homeless people float near in the street of the city. By few road sides families are allowed to build their homes. Still climate refugees can not gather enough wasted digital prints, papers & bamboo for making plastic houses. Those who can not manage helplessly sleeps in open air by not letting the place empty. Everyday they collect papers for dwelling beside street.
GMB AKASH 
