Innocent Feet

Shaheen (10 years old) does not feel badly anymore to walk with empty feet. Five months ago when he first started walking without sandals, broken pieces of glass and small sheets of tin oftentimes cut his feet. Sometimes when he would hop onto a running train to save himself from the station inspector, the damaged surface of the train’s step would injure his bare feet which caused him much suffering for some nights. In pain, he could not work for a few days. Nowadays, Shaheen thinks dirt layer surfaces for his feet are actually saving him from injuries.

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Ali Raj (12)

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Badshah (9)

When Shaheen’s mother was alive she used to put oil on his hands, legs and hair. Shaheen knew his mother well and if she could see him now, she would do it again. She had never beaten him ever. But after her death when the new mother arrived, she and his father used to beat him every night. Often he had to spend the night in the yard in front of the closed door of his father’s house. One morning last summer, Shaheen left his village and took the train which was coming to Dhaka. He no longer misses his past except for his mother.

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Shaheen (10)

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Bappi (11)

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Emon Ali (12)

Hasib

Hasib

Now he carries the goods of passengers in the train station in bare feet. Even if he wishes to buy a pair of sandals, how will he manage money? And if he does manage to buy them, how will he safeguard them? Yesterday his friend Ismail’s new sandals were stolen and Ismail cried for the whole day. He had bought them with 150 taka by saving two days of income. Ismail now collects empty plastic bottles to sell in the recycle shop and has not spoken to anyone since he lost his sandals.

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Hasib

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Ibrahim

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Like Shaheen and Ismail, Shakil, Jahangir, Baii, Imon Ali, Arman, Emon, Fahim, hundreds of children are moving around in the train station in bare feet. All of them are living in the same condition. Some came here a few months ago and some came years ago.

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Alamin (8)

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Every one of them has two similarities. One is that they all walk the whole day in bare feet in order to earn bread and the other is the tragedy of their lives. Most of them left home because of the loss of their parents, or torture by their step parents, or because of acute poverty.

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Jahangir (13)

With those small bare feet they used to run away by escaping the eyes of the station master or station police. When the trains arrive or passengers come, they run swiftly over the hot stoned train tracks and take a load on their heads. If they get 10 taka (one cent) they buy nuts for lunch and if they can earn more, they can have rice and lentils. This 7-12 year-old children’s feet are telling the tales of their fate: evidence that tells how they are bearing their lonely young lives on those innocent feet.

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 A question to humanity from a 11 year old Maruf:

‘No one cares for us. I cut my feet by broken piece of tin. It bleeds for days but no one stops and asks to help me. Like me hundreds of children are walking in bare feet and no one ever asks us if they can give a pair of slipper. Isn’t this a selfish world with cold hearted people.’

Maruf

Maruf

Can we together prove him wrong? Can you donate slippers for these street children and show them that we care about their suffering, their bare feet matters to us? Can we?

I am going to gift slippers to these street children on 7th January, 2016. If you want to donate for slippers please email at akashphoto@gmail.com you can donate slippers (size 33 – size 40) at our address; To know details you can also message me at facebook (facebook.com/gmbakash/).

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Lastly I hope my favorite quote will inspire you as much as it inspires me:

I am only one, but I am still one. I cannot do everything, but still I can do something. And because I cannot do everything I will not refuse to do the something that I can do.

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Sami Hamja

‘An Invasive Mind: More on Street Photography’

‘Traveling to an unknown city, to an anonymous alley is always fascinating to me; mostly in order to stare at how life goes on! Stepping into a nameless street and sipping a cup of chai in its old bazaar is like a reunion of moments that are treasured in my memory tag! Street photography has unveiled secrets of eccentric daily life and it has always unfolded mystery that my heart aspires for all the time. My camera is my best friend and spending hours and hours along with it in those streets is so addictive that I am compelled to say that the best part of street photography is – you will never ever feel bored’ – GMB Akash

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Where to go?

Anywhere! Here and there or everywhere. Known or unknown. Seen or unseen. Do not calculate which place is convenient and which is not. Be very casual. Start your journey and discover things that you never thought would fascinate you. Keep one thing in mind: every street trip that you will make will be a unique one if only you can merge yourself within the flow of the street.

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How to overcome fear in the street?

It is very obvious that you will be very uncomfortable at the beginning. But after some time you will be okay with it. But of course you have to overcome your fear. You have to overcome the feeling that everyone is noticing you and you might have to face several rejections. Stay focused, accept rejections, enjoy walking and be very confident!

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One gesture to win hearts:

Please smile. Smiling is a kind gesture. It allows you to alleviate nervousness and it makes a connection with your subject. Whenever you are going to take a shot of any person, nod and smile.

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Communicate appropriately:

During street photography don’t talk too much but do talk a little bit. Small words, hello, can I take a picture, wow, great, fine, thanks small words. If you are going to make a long conversation, it happen often that some people might hesitate about your aim. In case you feel a longer conversation could bring out images then do it.

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Handle yourself wisely

Be very confident in the street. Act like a professional. Feel like you have been doing it for many years. When you will be confident then the people around you will feel confident about you. Finally you will face less rejection.

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Introducing yourself to strangers:

You will meet three kinds of people in the street:

a) Persons who are very welcoming about taking images.  You will definitely explore this opportunity more. While meeting them you can feel it easily so it will be very comfortable for you to take images with time and to experiment.

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b) There are some people who hesitant. They will not refuse you or say no to you directly but you can feel a discomfort. Then it is your responsibility to make them comfortable. Greet them, talk about the weather or simple things about yourself and you will discover after few minutes they will be more at ease.

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c) Go away faces. They are very challenging and you have to respect your subject. If they do not approve of taking their pictures you have to respect that without feeling bad. The most you can do tis o make them understand that their images are fully secured and you are an aspiring photographer. Talk to them about your passion and dreams. Even after that if they say NO, just accept it. We cannot force someone to do anything!

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Take a companion:

If you feel very uncertain and discomfort about shooting even after trying hard then ask a friend to accompany you for a few days. Sometimes company can make your street trips easier.

Daily life in Kathmandu, Nepal. 2006

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Never Hesitate:

In street photography there is not much time to waste. You cannot spend a lot of time just for one shot. It is full of capturing decisive moments for capturing. If you get an excellent shot for a moment, do not get time to ask permission. Just click, then you can talk afterward and explain it. If you hesitate the person in front of your camera will hesitate. Never hesitate.

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Learn to understand people and situation:

A great attribute of any kind of photographer is when he/she can understand people. After being experienced in the street you can feel that you actually can understand what a stranger is feeling about you. Slowly you will understand people and their minds. It will help you to deal with any kind of situation in the street.

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I have already shared a few experiences of mine and some advice in the Street Photography Category of this blog. Have a tour if you want to know more about the topic.

Instructor:

I teach street photography for The Compelling Image: The Compelling Image: Online-Interactive Courses in Photography and Multimedia Storytelling

If you are interested in joining my street photography course sign in: Street Photography

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A Traveler’s Eye

‘I bet almost everyone in this structured world at least once in their life, feels like leaving their predictable complacent and comfortable surroundings and lose themselves in a chaotic, crazy and frenzied ‘nowhereland’. When I get lost in such a hectic adventure my pulse rises rapidly as I leave behind all the sober responsibilities that I have. When I leave to get lost in such an unknown destination I am transformed into a Gypsy. Most people of all countries of the world welcome travelers with love. Perhaps it’s because all of them are invisibly chained to their daily reality and seeing travelers makes them dream. That’s why when they see a traveler with a camera their smile says, ‘You lucky dog!’

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To go traveling, the one factor that pushes me the most is always photography. To get to know an unfamiliar world I go out to find a story of the people living there then interpret my journey through images. Travel photography reveals everything about a country, a region, a community, a culture, a person. It arouses interest in others to be familiar with the place, to go to the place, and to find themselves in the place’

– GMB Akash

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Travel Photographer’s Map:

There was a time when I put my globe on my reading table and imagined myself to be like Vasco da Gama. I wished to take pictures of the world with my small tiny black machine. Time passed by and I understood that if I open the ‘window’ of my map that my own country comes first and only after walking through it do I want to go to other countries. The importance of our Petenga beach in Bangladesh can be the same as being in Laos for me. The Dhaka mosque is an ideal setting with which to start shooting that prepared me for the intense inspiration that that I felt at Istanbul’s Blue Mosque. However, it is not only desirable destinations in other countries that create excellent photographers. Even discovering one’s own territory provided the pleasures and excellent photographic results equal to those of a world tour. For those people who get the chance to travel outside their own world, their TRAVEL PHOTOGRAPHER’S MAP becomes like a puzzle to be solved. When you are aboard you like to take pictures of everything you see. Because when we are away from our known place a lot of questions arise in our minds. How differently do these people wear clothes? What do they eat? How do they travel? Where do they pray? Restless clicks of travel photographers start at dawn and last throughout the day in order to get all these questions answered in the form of images. If you can gather together all this answers it will become your complete travel story.

 

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Travel Photography pack light and with love:

Sleepless nights and unstable feelings are what a traveler photographer experiences  before a journey. From Cox’s bazaar to Switzerland my feelings are the same kind of restlessness before such trips. I admit that there are few people who are very calculative, well researched and who can follow their initial plan for their photography tours without becoming impulsive. But I belong to the first group. The thing with travel photography is that it’s dreadfully addictive. You want to go when you want to go, reasoning be damned. But you must practice some self-control and try to remain disciplined.

cernival in cologne, germany. february 2007

 

Try to carry the absolute minimum that you can. Why lug around extra devices in your already heavy back pack? My traveling kit consists of – a couple of dark t-shirts, three pairs of jeans, a hat, a belt with lots of compartments, a must-have torch, all in one knife set, a flame-less safety lighter, a camera strap, three-four hard drives, a laptop, a phone, and a tiny toiletries kit and my precious dairy book. That’s all.

 

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Hats off for bringing out your soul:

Congratulate yourself whether you are traveling within your native land or to a foreign culture. Not all people have the courage to step out from their comfort boundaries. The best thing travel photography can do is bring out your soul. On the first morning in a new place I wake up with the sun and get ready as fast as possible to hit the ground running. To know a new place, new people, new cultures morning light is blessed. Whether I am traveling to Sundarban, Bangladesh or the ancient ruins in Rome, Italy, my focus is on discovery. If your photography can discover the secret to enchantment of the place then you can depict your travels accurately through those genuine frames. Shoot the topic you find the most interesting. Shoot something that puts a deep mark in your heart and that will represent the place. Your story will be the invitation from that particular place that will attract anonymous people to visit it. So the rules are:

–          Surprise yourself by discovering a new place, a new culture, a new life pattern, different norms or simply different people

–          Create your album so that it presents something unique about the topic

–          Attract attention

 

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Always be alert and informed:

A new place invites new danger. When you are doing travel photography alone you must be alert about your safety. I have  faced a lot of such incidents that would have been life threatening if I had not reacted instantly. Whatever area or country you are visiting try to find out basic safety cautions. Avoid dangerous areas by finding out where they are from locals. Do not always trust taxi drivers. Try to skip night outings alone. If you introduce yourself to a stranger do not give your full information. As a travel photographer you have to be like a dog. You must be able to smell out both danger and images.

 

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Money and food matters:

Make a smart budget. In a new place there are chances to be cheated. I save for several months in order to do travel photography so it is important that I have my expenses broken down in order to help me to meet my budget. If you spend too much unnecessarily then at the end it will affect the quality of your travel experience and spoil your trip. Try to find out where to locate the cheapest but nicest places to stay and eat. Try to stay vigilant and not let people fool you. Invest wisely. And never compromise by not trying local foods. For example, in Nepal my morning starts not with bread but with MoMo the delicious local dumplings. Indulge in these small things which help you to integrate into the culture. Travel photography and the resulting work are never complete if you are not a part of the experience.

 

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Ground Theories:

Open up to new people – you have heard it more than a thousand times but I am going to add it one more time. First – in the new place, make observations. Second – go a little bit closer by taking random pictures of everything. Third – Start communicating, either with a local vendor, or children or shopkeepers. Start a conversation. Fourth – you will be automatically diverted to the most attractive thing of the spot that holds your attention as an outsider. Fifth – if a particular thing attracts you then spend a long time with it. Slowly but surely the people of the place will start to act normal and will go back to their natural gestures. Remember to look at a place widely and then begin narrowing it down one scene at a time. Finally you will find a beautiful discovery that is worthy of depiction.

 

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Restrictions:

Respect the situation. Know about the norms of the place. Learn a few local words to communicate. If you are in Shylet (Bangladesh) you can amuse people with your Shyleti words. If you are in Manila (Philippines) try to do the same. If you do not understand something sensitive, silence is the best way. Be polite when you are shooting women, young girls or teenagers. Never offer money after taking photographs. This is a very bad practice which creates long-lasting problems later. If you want to give something, give a gift. For example, I always carry chocolates for children.

 

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Now go! Feast your eyes:

Travel photography is something that you owe to yourself. If you are a good travel photographer then you know all genres of photography from landscape to street, people to culture. When you are traveling as a photographer try to be a person with whom people want to associate. While doing travel photography I like this attention because this interaction with people helps me to discover a culture and the people more intensively. Remember that you have to be constantly on your feet. I hardly ever take taxis because slow walking is the best discovery machine for which travel photography can be thankful. So let’s walk and start shooting.

 

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Dutch travel photographer Wil Thimister and GMB Akash are going to take  ‘A Visual Voyage’–by way of a Travel Photography Workshop 2-9 May. Whether you are a beginner, an enthusiast, or a professional, First Light Institute of Photography is inviting you to join the workshop on a truly amazing photographic adventure. Please send an email to akashimages@gmail.com if you are interested in participating. To know more details, visit: http://wp.me/p3F0uP-5W

 

 

‘Gift of Life’

Minu (10) was hesitating to take the doll. Our smiles work and she offers her right hand with a slight smile. When we gave her the new Barbie doll she quickly holds it with her two arms. Before we ask her to take a photo she flies like a bird with the sound of laughter and joy. Her innocent voice was up in the air, ‘Moina, Rita, Sulekha come, come, see what I have! Hey all of you come and see what they are bringing for us!’

 

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Within a few minutes the eyes of many innocents’ gathered behind us full of desire. Not even their clothes that lost their color from repetitive use nor their dry skin, nor their frizzy hair –  nothing could hide the glittering sparkle of their eye balls. Standing by one after another they looked as if they were dreaming of what we had inside the magic box. Suddenly to them we become magicians. Magicians who give surprise and joy. We become the hamiloner bashiwala. All of the children from the factories were silently following us. Some children were running from their factory with the safety goggles still on their eyes. Some stopped their cutter machine and kept waiting for our arrival at the factory door!

 

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When we offered the new car to Manik (10), he nervously asked his boss, ‘Sir, can I take the toy from Akash bhai?’ After the owner waved his head saying yes, Manik jumped to see what we had for him! We gifted him with the car he liked the most which he took in his hand colored aluminum from the factory. Edrish (11) was following us and whenever we asked him what toy he wanted, he smiled and said none. When we were about to leave the factory site he come in front of us and said, ‘Bhai, my age is not for playing. My younger sister has no toy; can I take a doll instead of taking my car?’ When we gave him both the car and the doll he started to dance in happiness.

 

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Alongside the rail line Razib (8) and his friends were taking a rest after carrying passenger’s baggage. We quickly put cars and balls in their hands. They reacted like they got electric shocks and their shouts of joy won over the sound of the train whistle. From Christmas Eve to until New Year’s Day ‘First Light Institute of Photography’ kept gifting new toys to child labourers, street children and unprivileged children of the country.  Their joy and happiness still fills our hearts  and eyes in such a way that no words could ever describe what we felt!

 

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Can you remember what your favorite toy was in childhood? How many times you cried to get a toy every time you were out with your parents? There are 7.8 million working children in Bangladesh who are having no childhood and who have no toys. Our school, First light Institute of Photography gifted more than 500 new toys to more than 500 deprived children of the society to inspire and to motivate them as well as to encourage them towards happiness.

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 Our deep gratitude goes to friends who generously contributed toys after getting the news on my Facebook page. Our heartfelt thanks to them for standing beside us. Thanks to Wil , Anja, Fakrul, Iqfat, Moinuddin, Mou, Sadat for their contributions of toys and Hridoy, Kakon and Tutul for their time in organizing and distributing them.

 

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 Give what you want. Want happiness? Make someone happy. Want courage? Encourage. Want love? Give love. Make your life blissful with blessings you are spreading everywhere.

My friends, I would like to invite you to visit our school website and to know more activities like above:

First Light Institute of Photography

‘An Unrest Soul : On Street Photography’

‘It was midnight, a night about 12 years ago. Year was 2002. It was six years after that I started photography. Without photography nothing was precious to me. I used to save each and every penny of mine to travel and to do photography from 1996. It was a mysterious, tiring night and I did not know what exactly happened to me. I was restless and I decided to destroy my past. I wanted to start a new start with my photography. I could not like my work anymore. I set fire in all negatives that hold images of mine. I destroy each and every image that I had. Maa run as mad and stood still at my window but did not say a word. She knows I love photography more than my life and when it was burning in front of my mother she was looking at me with deep sympathy. I ignored everything. Wept silently. I felt alone and I know this will be the beginning to search a new me. 18 years I am trying to depict images that I see through my soul with the same thirst that one day I could fulfill my inner emptiness’

– GMB Akash

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The place I like that I love to go very often. There are places where I went more than 100 times. Every time every place is different than my last visit. I would love to discover stories of my frames. Time changes face of place, people and in fact me. The same place that has been visited thousand times gift exclusive images with different layers.

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I can smell photograph. During walking in a street suddenly a place attract me magnetically. I can smell the right place and can smell my future photograph. I wait until I get the picture I want, the waiting makes it more interesting, my attempts make me more excellent. I wait hours and hours with happiness but no boredom. Because I am sure I will get something every very special. Even I spend one day in one place just to get one shot that will remain precious to me for lifetime.

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I am a nutty traveler. I never hide myself during I am photographing or traveling. I interact with the community whom I go to visit. I give them time to understand me and I take time to understand them. In any place you will find children and dogs first to welcome you. They will follow you and you have to win their hearts. If they accept you then the community will accept you. Documentary/travel/street whatever photography I am doing I always know I have to respect people and their thought. If someone refused me take picture I accept it with respect. I take photography when I feel the person is easy with me and in the time when I got an affirmative signal. After taking picture I show them and heard their comment. Sometime I take print with me to show them, surprise them. Small interactions make you confident as a communicator and a photographer. It is important to be trustable when you are a photographer. A small thanks and a big smile can win many hearts.

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I want to extend my territory as photographer. Roads are like my homes. Sometime people call me ‘Specialized tourist’, sometime ‘Documentary photographer’, sometime ‘Travel photographer’. This photographer me is nobody just a medium to bridge with the people I meet. I create bridge with people’s feelings, with their joys with their sorrows. I merge with their cries, laughs. I walk in the street and collect untold stories of people. Every place has different color, smell, sound. That attraction takes me again again. I am nobody of that place but I feel I left a part of me there with the people I photographed.

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‘I keep searching myself over and over again in all cities, footpaths and in streets, from country to countries. People forget about me, my face and my camera. As because I am not any part of their life. But I never can forget a single person I met in the road. I keep their pictures in my mind in my memory card. And I wish one day or one night again I will meet with any of them and will say how I kept their memories in my heart’ – GMB Akash

To Join in my upcoming street photography workshop in March 2014 please sign in at:

Making Photo Essays of the Street’ With David Bathgate and GMB Akash’

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‘In the Beginning’

First Light Institute of Photography

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