“Exhibition ‘Water’ By GAETANO PLASMATI & GMB AKASH”

“This exhibition is a prism of callous realities and haunting metaphors of issues of climate change. Photographs of the exhibition will reveal the bare bones of climate disaster which causes human life to suffer for eternity. Either it is flood or desertification worst is these had severe effect on human life. Desertification is already causing changes in the social environment of certain areas of the African Sahel. Agriculture, livestock, and over-population have been the primary reasons that this previously stable dry-land ecosystem has been turning into desert. At the same time as these physical changes have been occurring, social destabilization and migration also have been, leading to food insecurity, disease outbreaks, and increasing levels of cultural extremism. more than 42 million people were displaced in Asia and the Pacific during 2010 and 2011. This figure includes those displaced by storms, floods, and heat and cold waves. Still others were displaced by drought and sea-level rise. Most of those compelled to leave their homes eventually returned when conditions improved, but an undetermined number became migrants, usually within their country, but also across national borders”

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Gaetano Plasmati:

The project of Gaetano Plasmati is the result of a journey that lasted 15 years and has developed over a series of trips to Algeria, Libya, Tunisia, Morocco, Mali, Niger and Eritrea. The beautiful shots by Gaetano Plasmati describe a journey in search of people who live the drama of desertification, such as the Wodaabe, the Dogon, the Tuareg. Plasmati has followed the slow and inexorable retreat of the nomadic’s territories which become less and less comfortable for traditional economic activities that sustain them.
Desertification is a danger to almost 50% of the land and puts at risk more than 100 countries with approximately one billion inhabitants. The continent most affected is undoubtedly Africa: here over two-thirds of the cultivated lands are at risk. The path of Gaetano Plasmati winds through the dunes and the rock paintings of the Acacus and Tassili N’Ajjer in Algeria, the great Sahara, the markets of the mythical town caravan Timbuktu, Djenne, Agadez, Niamey and Djanet. Plasmati has portrayed hostile landscapes and people tempered by the roughness of nature, dunes vivid colors and rocks that are museums, suks and caravans in a succession of faces and landscapes which give rise to the extreme dignity and composure with which the “nomads of water” live their atavistic discomfort.

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GMB AKASH:

“I have framed how every year flood causes people suffer miserably in Bangladesh. I experienced how with the drowning sun villages go under water. How People sheltered in roofs of their houses and lost their lives. Moaning of old people & shouts of children of the miserable atmosphere can only describe small bits of devastating sufferings of flood. After facing devastating flood every year, people still fights to live apart loosing shelter for existence. Still they fight to live. They collect all destroyed pieces of house to shed their head. Women go for fishing, children dry their damp books, and men rebuild homes. In flood I spend days, nights and months in flood affected areas past 12 years. Throughout the journey, the rotten water wrapped me by leaving a restless feeling. Every day, I encounter a new tragedy by finding people who have no way to escape from rising water, who can only surrender everything to the mighty nature. Several times I have been severely injured or illnesses have torn me down. Nevertheless I continue working because of my strong belief that my pictures can make a difference.” – GMB Akash

People in Bangladesh live precariously close to the risks of cyclones, floods and droughts and more than 100 million people live in rural areas. Two-thirds of the country is less than 5 meters above sea level and in an average year, a quarter of the country is inundated. Bangladesh has experienced severe floods every 4 to 5 years that may cover more than 60 percent of the country, resulting in significant losses. United Nations’ Intergovernmental Panel on Climate Change predicted that rising sea levels could submerge 17 per cent of Bangladesh by 2050, creating 20 million “environmental refugees”.

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This exhibition intend to speak about harsh reality of many who are displaced from their homes and living in exile in another country, and/or from issues to become victims of natural disasters and internally displaced in their own countries. The displacement, and migration, of very large numbers of people, will be one of the most significant effects that climate change will have on humans. Often times these displaced populations will have nowhere to go except to regions that are already densely inhabited. Many of which, will likely already be having trouble supporting their own population. We are cordially inviting you to visit how water impacted life. If you are in Matera in 14th of April 2013 do visit the exhibition and those who are far away from the exhibition Gallery, this post will give you a trailer of the show. We hope that while you are in Matera, Italy, you will take a moment to visit the exhibition.

Exhibition: WATER

Gallery: Galleria di porta pepice present

Exhibition Date: 14 April 2013

 Gallery address: Via delle beccherie 55, Matera, Italy

cartolina acqua 2013 con caratteri piccola

 

‘Life for Rent’

Night is the meaning of life here. Don’t dare to feel I am talking about moonlit night. It’s about a place where fluorescent bulbs hesitate to light up the great darkness.  You have to go step by step by listening giggles and following Hindi songs. Cheap aroma or local fragrance continually defeated to hide smells of stinks. At this place, dreams never can lose its paths even by mistakes. But it certainly can turn into the ideal background for a horror blockbuster by following nearly naked heroine’s poster or staring into a photographs where a lady wearing red lipstick with her innocent eyes hanging over fungus wall.

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Four storied building’s busy staircases are lively by steps of clients. Girls for converting themselves as women putting all make up from her dearest make up box and keeps doubling lighten up their cheeks with cheap blusher. For killing hunger each moment they have drunk tears and fighting with each other to get same client for a night. Excess make up, vulgar cloths and even by showing off most of the female fascinated body parts these girls can not satisfied their MADAMs.

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In the race by standing full day beside the door dressed like this they have to show their madam their extra talent for hunting a client. While few of them get tired of being waiting and being rejected, lastly they may get one/two clients at the last moment of their very tiring publicity. Then the bargaining starts. It’s the bargaining of beauty, the outer shell. Minimum 100 Tk – to maximum 500 Tk depends on the job’s creativity and longevity.  Either a client comes for an hour, for a night or for several nights they never bother to enter into the corridor of these beautiful doll’s heart. They rather treated her as a toy of entertainment.

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As like being used for years after years these girls started feeling themselves as product. Product of modern day slavery. In the middle of these professionals there is also few girls common who uselessly try to hide their body with their small cloths, who will not look at any one’s eyes either for sorrow or for shame. These girls are new to the place, they been bought by madam one or two days ago. Betrayal boyfriend, step parents or their closest one play with their innocence and sold them in the castle for Tk 4000- 20000. Before realizing what had happened in her life her innocent soul has been captured by brothel’s reality. In between them there are girls who has been gang raped and our civilized society refused to accept her, so she finds her MADAM as mother and releasing all bitters of her life by the profession of sex worker.

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Fighting over getting men at night does not change relationship between themselves on the day. An unknown bonding for each other has tied them up and takes care of them in dear need. That’s why, when a girl out of frustration cut her full hand with blade just to torture herself, her roommate wipe it off and put medicine on it. A six feet by six feet room is world for 3-4 girls, so when customer leave they decorate the bed with flowery bed sheet or place artificial flower for adding beauty of it. Knowing a home never will come in their life still they care for their small room as like their house.

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By remaining in the strict guidance of Guards for several years these birds stop weaving their wings and thus they forgot how to fly. After earning 100 Tk per client 3-4 years passed thus but loans and buying money of madam does not meet up as these fates less girls can’t even calculate. If their luck is good enough few of them get little better madam who let them free after three to four years to do their business independently.

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The story does not change here. Again after doing free business the girl do same mistake by giving heart to a client. Then one day come when the trusted man flew with her all money, gold and faith. All the tiny battles she had within inside that do nothing but shape her emotions, make her able to drink her tears of blood. Stories of a brothel have many shapes. Many girls do not miss their Fazar prayer; many girls learn to recite Quran. Many girls penned their parents and send money monthly putting fake address in the envelope. Many girls forced to take a drug designed to fatten cattle for market name Oradexon.

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The Bitterest Pill - A new danger for child sex workers in Bangl

Their day passes by. One day visibly wrinkles can no longer hide by their heavy make up, then they started losing clients, then one night come when they had no one, and they become nanny of younger sex worker. Finally after death their bodies can be buried in a cemetery, though still in a separate one. But better than having their remains floating in the river covered by a sheet which previously practiced as ritual. Their existence remains in their tank which preserve full of their life memories, which lastly kept by their dear one if someone still have time to recall a sex worker.

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“Its been 12 years I am familiar to them. Not only as a photographer but also as a brother. In the photograph, I am seating with my one of the sister from Tangail brothel. Whenever I go there, she runs towards me by calling “Akash Bhai”, she brings sweet, tea and speaks and talked lot about her dreams. These girls are weak for affection as I once treated her as sister now she granted me as her brother. No one knows the story of those faceless girls who are sold by their boyfriend, husband or parents. This is one way journey to brothel a place that is everything to them. By documenting on them I would like to spread their story of pains which are only locked into their own madam’s castle. I can also recall about one girl from those uncountable faces. Unsurprisingly – and despite her name – Asha isn’t very hopeful for her own future. ‘I don’t think I’ll ever get married or have children,’ she says. ‘No one will marry me. If they did they’d only keep me for two or three days, and then they’d sell me back.’ She is more streetwise than some of the other girls here, many of whom share a tragic dream that one day a knight in shining Armour will arrive, to carry them off; then they will marry him, have his babies and love him forever. I wish there would be a knight in shining Armour will surly arrive, to carry them off from this living hell! I wish and I really wish!” – GMB Akash

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